【作者】 王晓宇；

【导师】 肖鑫；

【作者基本信息】 东北师范大学 ， 电影学， 2022， 硕士

【摘要】 被誉为好莱坞“鬼才”的导演蒂姆·伯顿,他的作品一方面在商业性上有着对于全球票房的绝对号召力,另一方他在作品中独有的艺术性表达构建出了另类、独特、怪诞、充满幻想的强烈个人风格。通过对于当下后现代主义文化背景及后现代主义相关理论研究,结合蒂姆·伯顿的电影文本,不难发现在他电影中的种种元素都带有鲜明的后现代主义印记,并契合着后现代主义文化视域。后现代主义是随着西方二十世纪五十、六十年代“后工业社会”理念的产生,而兴起的一种具有反西方近现代体系哲学倾向的思潮。后现代主义思潮对于当下社会、经济、文化和各种艺术形式都有着深广的影响,这样的时代背景与社会因素潜移默化地对蒂姆·伯顿的创作也产生了一定的影响。本文首先对于后现代主义及后现代主义电影相关理论研究进行梳理,基于以上认知完成对后现代主义视域的概念界定,将更多的根据后现当代主义理论学者伊哈布·哈比·哈桑所提出的后现代主义中解构性与重构性趋势的相关理论,然后在时代背景下结合后现代主义对于社会文化与蒂姆·伯顿个人成长经历的影响,详细分析蒂姆·伯顿电影与后现代主义的关联和在他作品中的后现代性表征。之后基于后现代主义的视域下对蒂姆·伯顿具有代表性的电影中的主题传达、叙事模式、视听内容、和人物形象进行文本分析,探寻与分析潜藏在其中的后现代主义元素,并透过表象元素去解读其中表露出的后现代主义的精神内涵。本文在后现代主义的视域下,第一部分将论述蒂姆·伯顿电影所传达出反深度的荒诞性与反权力的消解性的主题表达。第二部分将对蒂姆·伯顿电影中带有后现代主义的反神话与反宏大叙事的叙事模式、多元性的叙事时空与戏仿性的叙事内容进行分析。第三部分将发掘蒂姆·伯顿电影中潜藏的带有后现代主义特征的视听元素与他电影中展示出的荒诞玄学电影的表现模式。第四部分将对蒂姆·伯顿电影中所刻画出的人物形象进行讨论,分析其中对于人的“异化”、人物形象上反主流的审美表达与多元性的形象。最后将基于上述对于文本的分析,一方面阐述出后现代主义视域下蒂姆·伯顿电影中所传达出带的不确定性、非原则性、无深度性、反讽性、内在性等等后现代主义特征,给予一种对于后现代主义内涵与精神内核的理解。另一方面,通过对于他电影中的主题传达、叙事模式、视听内容、和人物形象等元素的分析研究,总结在他电影中传达出的后现代主义电影美学体现。更多还原

【Abstract】 Tim Burton,known as the Hollywood "wizard" director,his works on the one hand in the commercial has absolute appeal for the global box office,on the other hand,his unique artistic expression in the works to build a strong personal style of alternative,unique,bizarre,full of fantasy.Through the analysis of Tim Burton’s films,combined with the current postmodern context,it is not difficult to find that various elements in his films are marked by postmodernism.Postmodernism is a kind of ideological trend with anti-western modern system philosophy tendency arising from the emergence of the concept of "post-industrial society" in the 1950 s and 1960 s.The trend of postmodernism has a profound impact on the current society,economy,culture and various art forms.Such historical background and social factors have a subtle influence on Tim Burton’s films.This paper first sorts out and analyzes the theoretical research on postmodernism and postmodernism film and try to complete the construction of the concept of post-modernist vision.This paper will be more based on the deconstruction and reconstruction trend of postmodernism proposed by Ihab Habib Hassan,a postmodern theoretical scholar.Then in this background,combined with the impact of postmodernism on social culture and Tim Burton’s personal growth experience,detailed analysis of the link between Tim Burton’s films and postmodernism and the postmodern representation in his works.From the perspective of post-modernism,this article will focuses on the text analysis of the theme,narrative mode,audio-visual content and characterization with postmodern characteristics in most of Tim Burton’s works,so as to explore and analyze the elements of postmodernism,and through the representation of elements to interpret the spiritual connotation of postmodernism.From the perspective of post-modernism,the first part will discuss the theme expression of anti-depth absurdity and anti-power clearness conveyed by Tim Burton’s films.The second part will analyze the narrative mode of anti-myth and anti-grand narrative with postmodernism,the diversified narrative time and space and the parody narrative content in Tim Burton’s films.The third part will explore the audio-visual elements with postmodern characteristics hidden in Tim Burton’s films and the expression mode of absurd metaphysical films conveyed in his films.The fourth part will discuss the characters depicted in Tim Burton’s films,and analyze the "alienation" of people,the anti-mainstream aesthetic expression of characters and the pluralistic images.Finally,based on the above analysis of the text,on the one hand,it will construct the postmodern characteristics conveyed by Tim Burton’s films from the perspective of postmodernism,such as uncertainty,non principle,non depth,irony,internality and so on,and give an understanding of the connotation and spiritual core of postmodernism.On the other hand,through the analysis and Research on the theme communication,narrative mode,audio-visual content and character image in his films,this paper summarizes the embodiment of postmodern film aesthetics conveyed in his films.更多还原