【作者】 张敏；

【导师】 李慧；

【作者基本信息】 广西大学 ， 中国古代文学， 2022， 硕士

【摘要】 图画关目是戏曲关目的一种类型,图画关目在剧本里有着独特的表现。全文以“关目——全本戏”的视角,在综合原典的基础上对图画关目的关目特点以及图画关目在全本戏中的作用进行分析。论文由绪论、正文、结语三个部分组成,其中正文分为四个章节。绪论部分主要是对图画关目进行概念界定,并且对学界已有的相关研究成果进行梳理,介绍选题缘起、研究方法,阐述本文的创新价值。第一章,首先是对元明清时期使用图画关目的剧目数量进行统计,通过数据分析可以发现相关剧目呈现出数量递增、以传奇为主要体裁、以及题材多样,但以才子佳人剧为主的特点。而后探析影响图画关目生成的因素:传统绘画、赏画雅习、观念信仰、文史取材。第二、三章,在对图画关目文献全面梳理的基础上,将图画关目分为写真、呼画、题画、观画这四种常用类型。根据图画关目在全本戏中明场、暗场的表现情况,将这四种类型的图画关目分为两章来论述。第二章的研究对象既可以作为明场戏,又可以作为暗场戏的写真、呼画类型;第三章的研究对象是只可以作为明场戏的题画、观画类型。在文本细读的基础上认为:不同类型的图画关目在使用该关目的剧作情况、剧中人物发生这一关目的缘由以及曲词、宾白、科介所构成的关目特点这三个方面都各具特色。第四章,研究图画关目在全本戏中的作用。图画关目在全本戏的作用主要体现在对思想主旨的表达、对剧情的推动以及对人物形象的塑造这三个方面。结语,总结归纳全文。综上所述,全文以“元明清戏曲中的图画关目”为研究对象,通过分析图画关目的特点以及图画关目在全本戏中的作用,探讨图画关目在戏曲作品中的表现与价值。更多还原

【Abstract】 The pictorial plot is a kind of opera plot,and the pictorial plot has an important role in the opera script.The research idea of this paper is to analyze the characteristics of the pictorial plot and the role of the pictorial plot in the whole opera script from the plot to the whole opera script on the basis of the original text.This paper consists of three parts: introduction,body,conclusion,of which the body is divided into four chapters.The introductory part defines the concept of pictorial plot and compares the existing research results.At the same time,it introduces the reasons for choosing the topic,the research method,and explains the innovative value of this paper.In the first chapter,the paper first counts the number of opera works that used pictorial plots in the Yuan,Ming and Qing dynasties,and then summarizes the characteristics of the relevant opera works through data analysis.The paper then explores the factors that influenced the production of pictorial plots.In the second and third chapters,the paper summarizes the literature and then divides the pictorial plots into four common types: painting character portraits,shouting at the portraits,inscribing poems on the portraits,and enjoying the paintings.According to the different situations of opera performance,this paper divides the study of these four types of pictorial episodes into two chapters.The object of study in the second chapter is the drawing of character portraits and shouting to portraits,which can be performed both on the opera stage and in the backstage.The third chapter is devoted to the study of inscribing poems on paintings and admiring paintings,which can only be performed on the stage.Reading the literature reveals that different types of pictorial episodes have different characteristics.The fourth chapter examines the role of pictorial plots in the whole opera production.The role of the pictorial plot in the whole opera work is mainly reflected in three aspects: the plot of the work,the thought and emotion,and the characterization.The concluding remarks are a summary of the whole text.In conclusion,the object of this paper is the pictorial plots in the opera works of the Yuan,Ming and Qing dynasties.The purpose of this paper is to explore the role and value of pictorial plots by analyzing the characteristics of pictorial plots and the role of pictorial plots in the whole opera works.更多还原