【作者】 李敏；

【导师】 李燕临；

【作者基本信息】 西北师范大学 ， 戏剧与影视学， 2022， 硕士

【摘要】 贫困问题是一个长久性的历史难题,消除贫困,改善民生是全世界各国为之奋斗的目标。我国是一个农业大国,农民基数大,农村范围广,贫困程度深成为制约我国社会发展的主要因素。脱贫攻坚工作的实施与推进是我国摆脱贫困,步入小康社会的重要战略。从新中国成立至今,在不同历史阶段相应的我国都在强调扶贫工作的开展,我国的扶贫事业大致经历了从粗放阶段到精准阶段的跨越式发展,成为人类减贫史上脱贫规模最大,最彻底的社会主义国家。中国的减贫事业创造了人类减贫史的奇迹,彰显了大国的责任与担当。扶贫题材电视剧是对我国扶贫实践的再现与还原,用荧屏叙事的方式记录党领导下扶贫工作的推进,以小人物的视角窥探中国扶贫事业的历史足迹,诉说扶贫干部与帮扶群众间感人的故事,在此过程中深掘乡土社会内生动力,关怀个体农民生存价值,传递社会主流价值观,提升国家文化软实力。扶贫题材电视剧透过影像实录的方式再现我国农村社会的发展变迁,传承扶贫路上中华儿女吃苦耐劳、甘于奉献的民族精神,将艰苦奋斗深深熔铸在每一位华夏子孙的血脉里,共同构建中国减贫史上的时代印记。本文立足于扶贫题材电视剧研究,主要采取文献研读法和个案分析法在对大量文献资料和扶贫剧进行研读和观摩后,首先,对扶贫题材电视剧的发展现状进行分析,试图通过系统分析厘清扶贫剧的概念界定问题,让观众在概念上能够对扶贫剧有一个清晰的认知,在此基础上梳理了扶贫剧的演变轨迹,并总结了扶贫剧的制作动因,助力扶贫剧的良性发展。其次,结合时代语境对扶贫剧进行深入分析,归纳扶贫剧的主题和人物选取类型,在此过程中来总结扶贫剧显现出的新特点,帮助制作团队进一步把握扶贫剧的制动规律。再次,从叙事学角度集中分析扶贫剧的故事呈现,叙事是扶贫剧的骨骼,更是扶贫剧的灵魂。分析扶贫剧的故事呈现有助扶贫政策在受众间的再推进。笔者主要从故事表达、布局和节奏方面剖析扶贫剧的故事内容,通过全面分析进一步探究扶贫剧如何利用荧屏叙事在时代变迁中诉说中国故事,传递中国声音。经过对扶贫剧的故事呈现深入分析之后,透过审美价值进一步探寻扶贫剧中的文化价值。扶贫剧是我国扶贫政策的艺术再现,一部高质量的扶贫剧目必然会聚焦时代主流,映射时代文化,通过对扶贫剧中主流文化与乡土文化的深层次研究,分析它如何在两者文化“合谋”的过程中构建国家形象,表现乡土人情,传递主流价值。最后,根据以上研究内容及结果找出扶贫剧当前发展中存在的问题与不足,针对扶贫剧当前的困境问题提出自己的一些思考及建议,以期为扶贫剧未来继续发掘“题材蓝海”、传扬“时代精神”有些许助益。更多还原

【Abstract】 Poverty is a long-term historical problem.Eliminating poverty and improving people’s livelihood are the goals of all countries in the world.China is a large agricultural country,with a large peasant base,a wide rural area and a deep degree of poverty as the main factors restricting China’s social development.The implementation and promotion of poverty alleviation is an important strategy for China to get rid of poverty and step into a well-off society.Since the founding of the People’s Republic of China in 1949,China has been emphasizing the development of poverty alleviation in different historical stages.China’s poverty alleviation has experienced a leap-forward development from an extensive stage to a precise stage,becoming a socialist country with the largest scale and most thorough poverty alleviation in the history of human poverty reduction.China’s poverty reduction has created a miracle in the history of poverty reduction,demonstrating the responsibility of a major country.Drama is the representation of anti-poverty practice in China for poverty alleviation and reduction,screen of narrative way record poverty alleviation work under the leadership of the party to promote,by exploring the history of China’s poverty alleviation cause little Angle of view,complained of poverty reduction between cadres and helping people touching story,rural society in the process,dig endogenous power,caring individual farmers survival value,transfer the social mainstream values,We will enhance China’s cultural soft power.Poverty alleviation theme TV revealed the plot through the video recording of the way to reproduce the development and changes of China’s rural society,inheritance of poverty alleviation on the road of Chinese children bear hardships and stand hard work,willing to contribute to the national spirit,will be hard work deeply cast in the blood of every Chinese children,jointly build China’s poverty reduction history of the era mark.Based on poverty alleviation drama research,mainly adopts literature study method and case analysis method in the study on a large number of literature and drama for poverty alleviation and watched,first of all,analyze the poverty alleviation drama development present situation,through system analysis to clarify the concept of poverty alleviation play defining the problem,can let the audience on the concept of poverty has a clear cognition,On this basis,the evolution trajectory of poverty alleviation dramas is sorted out,and the production motivation of poverty alleviation dramas is summarized to help the benign development of poverty alleviation dramas.Secondly,combined with the context of The Times,in-depth analysis of poverty alleviation dramas is made,and the theme and character selection types of poverty alleviation dramas are summarized.In this process,the new characteristics of poverty alleviation dramas are summarized to help the production team further grasp the braking laws of poverty alleviation dramas.Thirdly,from the perspective of narratology,it focuses on the story presentation of poverty alleviation dramas,narration is the skeleton of poverty alleviation dramas,but also the soul of poverty alleviation dramas.Analyzing the story presentation of poverty alleviation dramas will help to further promote poverty alleviation policies among the audience.The author mainly analyzes the story content of poverty alleviation dramas from the aspects of story expression,layout and rhythm.Through comprehensive analysis,the author further explores how poverty alleviation dramas tell China’s story and convey China’s voice through the use of screen narration in the changing times.After in-depth analysis of the stories of poverty alleviation dramas,the cultural value of poverty alleviation dramas is further explored through aesthetic value.Is the art of our country poverty alleviation policy of poverty alleviation play a high quality of the poverty alleviation play will focus on the era mainstream,mapping era culture,based on the poverty alleviation in the mainstream culture and the native culture of deep research,analysis of how it in both culture "conspiracy" in the process of building national image,local human performance,transfer the mainstream value.Finally,based on the above research contents and results,the problems and deficiencies in the current development of poverty alleviation dramas are found,and some thoughts and suggestions are put forward for the current difficulties of poverty alleviation dramas,in the hope of being of some help to continue to explore the "blue ocean of themes" and spread the "spirit of The Times" for poverty alleviation dramas in the future.更多还原