节点文献
批判遗产理论视角下的非遗“制造”与社会诗学
Intangible Heritage Production and Social Poetics from the Perspective of Critical Heritage Theory
【作者】 彭超;
【导师】 熊威;
【作者基本信息】 华中师范大学 , 中国民间文学, 2022, 硕士
【副题名】以吉州窑陶瓷为例
【摘要】 吉州窑重新出现在大众的视线中,不过才数十年的时间。它以古代民间窑场遗迹和失传数百年的陶瓷烧制技艺为资源和载体,在多元非遗主体的多重建构下,被打造成地方旅游景区和国家级非遗项目,其历史文化价值与经济价值都得到质的提升,走上了产业化和商业化的发展道路。本文以“吉州窑陶瓷烧制技艺”这一国家级非物质文化遗产项目为研究对象,以批判遗产理论与社会诗学理论为主要研究视角,运用文献研究、田野调查与个案研究的方法,聚焦于非遗主体对吉州窑陶瓷的非遗建构过程与地方情境下的非遗政治,把握吉州窑非遗地方化发展与传承的动态微观情境,并对其产业化发展方向做出反思与展望。研究发现,吉州窑的部分非遗主体已经开始对非遗“制造”具有自觉意识并付诸具体行动,主要方式是继承利用与整合创新永和古代历史文化资源,是在传统资源基础上的创造与发明,其目的是为吉州窑的文化宣传与旅游开发助力,但吉州窑陶瓷非遗“制造”目前仍处于初级阶段。另外,通过实地田野调查,笔者力图展现吉州窑陶瓷非遗的具体传承与商业化发展情况,关注吉州窑陶瓷非遗多主体的遗产观、遗产使用情况和不同主体之间的互动交织情境,并对吉州窑陶瓷线下与线上销售模式问题进行探究。在旅游经济的带动下,吉州窑正处于商业化产业化的发展初期,笔者考察了吉州窑陶瓷非遗所涉及的五类主体在遗产阐释与实践中存在的竞争性、多元化和主体之间的对话与包容,部分还原出吉州窑陶瓷非遗被多重建构的事实与情境,并对吉州窑陶瓷非遗的地方化发展提供新的思路。文章分为导论和正文两个部分。导论部分主要介绍研究缘起与意义,梳理研究现状,简述研究内容与方法。正文则分三个章节对研究论题进行探讨与分析:论文的第一章对吉州窑整体情况进行概述,介绍吉州古窑的发展历史和当代复兴,以及进入非遗后的发展现状,为后续的吉州窑非遗研究提供背景资料。第二章重点探讨吉州窑陶瓷的非遗“制造”过程与策略,从文化建构、景观建构、工艺建构这三个方面探究和反思吉州窑陶瓷非遗制造的意图、途径与成效,重点探讨吉州窑陶瓷非遗建构过程中对传统文化资源的利用问题。第三章则是从田野实际出发,关注吉州窑陶瓷非遗在商业化初期的发展现状,分析多元非遗主体的非遗观、非遗使用情况与主体间的互动情境,探究吉州窑陶瓷的销售模式问题。最后是结语部分,是笔者对本研究所呈现的成果与问题进行讨论与总结,并对吉州窑陶瓷非遗的未来发展情况进行展望。
【Abstract】 It was only a few decades before jizhou kiln resurfaced in the public eye.With ancient folk kiln relics and ceramic firing skills lost for hundreds of years as resources and carriers,it has been developed into a local tourist attraction and a national intangible cultural heritage project under the multiple construction of multiple intangible cultural heritage subjects.Its historical and cultural value and economic value have been improved qualitatively,and it has embarked on the development road of industrialization and commercialization.This paper takes jizhou kiln ceramic firing technique,a national intangible cultural heritage project,as the research object,and takes critical heritage theory and social poetics theory as the main research perspective,and uses literature research,field investigation and case study focused on the intangible cultural heritage construction process of Jizhou kiln ceramics and the intangible cultural heritage politics in the local context,grasped the dynamic micro-situation of the local development and inheritance of Jizhou Kiln’s intangible cultural heritage,and made reflections and prospects for its industrialization development direction.I think that some of the intangible cultural heritage of Jizhou Kiln have begun to have a conscious awareness of the intangible cultural heritage manufacturing and put into concrete actions,the main way to construct jizhou Kiln’s intangible cultural heritage at present is to inherit,utilize,integrate and innovate Yonghe ancient historical and cultural resources,which is a creation and invention based on traditional resources.Its purpose is to help the cultural publicity and tourism development of Jizhou Kiln.But jizhou kiln ceramic intangible cultural heritage manufacturing is still in the initial stage.In addition,through field investigation,I try to show the specific inheritance and commercial development of Jizhou Kiln’s ceramic intangible cultural heritage,pay attention to the heritage view of jizhou Kiln’s ceramic intangible cultural heritage and the interaction and interweaving situation between different subjects,and probe into the offline and online sales mode of Jizhou kiln’s ceramics.Driven by the tourism economy,Jizhou Kiln is in the initial stage of commercialization and industrialization.The author investigates the competitiveness,diversification,dialogue and tolerance of the five types of subjects involved in jizhou Kiln’s intangible cultural heritage in the interpretation and practice of heritage,and partially restores the fact and situation of multiple construction of Jizhou Kiln ceramic intangible cultural heritage,and provide new ideas for the localized development of Jizhou Kiln ceramic intangible cultural heritage.The paper is divided into two parts:introduction and text.The introduction mainly introduces the origin and significance of the research,summarizes the research status,and briefly describes the research content and methods.The text is divided into three chapters to discuss and analyze the research topic:The first chapter of the paper summarizes the overall situation of Jizhou kiln,introduces the development history and contemporary Renaissance of jizhou ancient kiln,as well as the development status after entering the intangible cultural heritage,to provide background information for the follow-up jizhou kiln intangible cultural heritage research.The second chapter focus the discussion on the manufacturing process and strategy of jizhou kiln ceramic,which including cultural construction,landscape construction and process construction,and explore and reflect on jizhou kiln ceramic intangible manufacture’s intention,approach and effect,focusing on the utilization of traditional cultural resources in the construction process of Jizhou kiln ceramic intangible cultural heritage.The third chapter based on field reality focuses on the development status of Jizhou Kiln ceramic intangible cultural heritage in the initial stage of commercialization,and researches on the views,usages and interactive situation of multiple intangible cultural heritage subjects,explore the sales model of Jizhou kiln ceramics.The last part is the conclusion,I discuss and summarize the results and problems presented in this study,and prospect the future development of Jizhou kiln ceramic intangible heritage.
【Key words】 critical heritage theory; intangible cultural heritage; intangible cultural heritage construction; jizhou kiln ceramics;
- 【网络出版投稿人】 华中师范大学 【网络出版年期】2023年 02期
- 【分类号】TQ174.1;G127