【作者】 赵静；

【导师】 李曼莉；

【作者基本信息】 宁夏大学 ， 艺术硕士（专业学位）， 2022， 硕士

【摘要】 20世纪50年代,自新中国成立以来中国民族音乐开始了一个新的创作里程,以戏曲音乐为题材的古筝作品开始逐渐涌现,直至今天,戏曲元素的古筝作品受到越来越多作曲家们的关注,开始对这件古老的乐器和戏曲音乐的融合进行探索与创新。基于此论文以戏曲元素在四首古筝作品中的运用作为主要研究对象。论文分为五个部分,分别是京腔京韵元素在《晨兴》中的运用、曲剧元素在《汉江韵》中的运用、昆曲元素在《林冲夜奔》中的运用、秦腔元素在《惙》中的运用、戏曲元素古筝作品对比。前四个部分对戏曲元素的古筝作品进行分析论述,第五部分对戏曲元素古筝作品的演奏技法和情感运用进行对比分析。更多还原

【Abstract】 In the 1950 s,from the new China since the establishment of Chinese national music started a new mileage,depicting the opera music guzheng works begin to emerge,until today,the traditional elements of guzheng works by more and more attention from composers,start to this ancient musical instrument and fusion of opera music to exploration and innovation.Based on this thesis,the application of opera elements in four pieces of Guzheng works as the main research object.The thesis is divided into five parts,including the application of jingyun elements in Chenxing,qu opera elements in Hanjiang Yun,Kunqu opera elements in Linchong Night Run,Qinqiang elements in Bana,and comparison of traditional Chinese opera elements in Guzheng.The first four parts of the opera elements of guzheng works are analyzed and discussed,the fifth part of the opera elements of guzheng works performance techniques and emotional application comparative analysis.更多还原