【作者】 刘莹莹；

【导师】 邢小震；

【作者基本信息】 山东大学 ， 美术（专业学位）， 2020， 硕士

【摘要】 庙会是一种民间群体型集会活动,随着时代的变迁,逐渐形成一种兼容并包的文化形态,它是辛勤的劳动人民塑造的重要民俗形式。因此,创作传统民俗庙会题材油画的初衷不仅是传递艺术,更是传统民俗精神的传达。传统民俗文化不但蕴含着劳动人民的审美、情感和生活习惯等,它还包涵着很多本土风俗、宗教信仰、文化形态和淳朴品质等。通过西方油画艺术与中国传统民俗文化的融汇结合,让当代油画技艺完美诠释中国传统民间题材油画的精神内涵,并赋予它新的生命力。本文主要以传统民俗庙会题材油画的研究为主旨,对创作所面临的各项问题进行研究归纳。其中,第一章首先详细介绍了民俗庙会的概念、类型,最后引入创作背景。以挖掘庙会题材油画中的民俗素材为着力点,分别从如何挖掘寻找和对民间美术的传承与保护这两个方面,来探索如何捕捉和搜集该题材的创作素材。第二章主要结合艺术家的作品来阐述庙会题材油画的创作思路,分别以画家段正渠、陈树中、顾黎明、龚利平为例分析其作品,探索如何以视觉语言的构图来表现画面,如何处理民俗题材油画中传统民俗色彩和情感。第三章以笔者自身的创作《庙会题材》系列油画作品为例,结合前文的梳理研究,介绍笔者在创作该题材绘画中的表现手法,创作思考与感悟。更多还原

【Abstract】 The temple fair is a folk group gathering activity.With the changes of the times,a cultural form that is compatible and inclusive is gradually formed.It is an important folklore form created by the hard working people.Therefore,the original intention of creating oil paintings of traditional folk temple fairs is not only to convey art,but also to convey traditional folk spirit.Traditional folk culture not only contains the aesthetics,emotions and living habits of working people,but also contains many local customs,religious beliefs,cultural forms and simple quality.Through the fusion of Western oil painting art and traditional Chinese folk culture,the contemporary oil painting techniques can perfectly interpret the spiritual connotation of Chinese traditional folk theme oil painting and give it new vitality.This article focuses on the research of traditional folk temple festival oil paintings,and summarizes the problems faced by the creation.Among them,the first chapter first introduces the concepts and types of folk temple fairs in detail,and finally introduces the creative background.Focusing on the excavation of folk materials in temple-themed oil paintings,we explored how to capture and collect creative materials from the two aspects of how to excavate and inherit and protect folk art.The second chapter mainly combines the works of the artist to explain the creative ideas of the oil paintings of the temple fair.The artists Duan Zhengqu,Chen Shuzhong,Gu Liming and Gong Liping were taken as examples to analyze their works and explore how to express the picture in visual language composition and how to deal with folk themes.Traditional folk colors and emotions in oil paintings.The third chapter takes the author’s own creation of "The Temple Fair Theme" series of oil paintings as an example,combined with the previous combing research,introduces the author’s performance in the creation of the theme painting,creative thinking and perception.更多还原