【作者】 王娜；

【导师】 胡志毅；

【作者基本信息】 浙江大学 ， 中国现当代文学， 2021， 硕士

【摘要】 莫言作为一位文学“巫”者,经常用自己的笔实施“巫术”,建构自己的“巫术王国”,即巫风浸染的高密东北乡,这是作家做“法事”的场地,也是其巫术文化的来源地。在这块“魔地”上作家感受到了神秘的大自然、历史的疼痛和生命的本真。因此本文从莫言小说的巫性来源、巫术民间性、巫术符号化、巫鬼文化的反思这四个维度,来展示莫言魔幻外衣下的现实主义人文关怀。本论文主要分为五章。第一章主要是发掘巫术文化的内涵、研究现状、研究目的与创新。第二章探索莫言的巫性思维的三个来源,分别是巫鬼精灵的文化熏陶、巫道融合的神秘化和动荡时代下的生存需求。第三章主要是从莫言小说的巫术民间性出发,揭示莫言小说中民间巫鬼面纱背后的人、民间狂欢化外衣里的礼乐本质、民间艺术中生命本真的主题,从而表现了作家对人性美孜孜不倦的追求。第四章主要从莫言笔下的巫鬼及相关的内在符号入手,通过古老的民间神话的生命传奇、图腾禁忌的生命规则和神圣仪式的生命祭奠来感受生命的神圣性。第五章主要表现了莫言对现实的关注和人的反思。分别从国民性和欲望的冷峻审视、寻找精神家园两方面入手,揭露了民间巫魅滋养出的顽固丑陋的国民劣根性,和欲望泛滥下人性退化的主题,从而呼唤真正的人。莫言对现实社会的失望,使得他躲入高密东北乡的巫魅王国里,并试图从中寻找灵魂的寄托之地和生命的归宿地。更多还原

【Abstract】 As a literary "witch",Mo Yan often used his own pen to practice "witchcraft" and construct his own "witchcraft kingdom",namely Gaomi Dongbei Township,which is soaked in the wind of witchcraft.The source of its witchcraft culture.In this "magic land",the writer feels the mysterious nature,the pain of history and the true nature of life.Therefore,this article shows the realism humanistic care under Mo Yan’s magic cloak from the four dimensions of Mo Yan’s novels: the source of witchcraft,the folkization of witchcraft,the symbolization of witchcraft,and the reflection of witchcraft culture.This thesis is mainly divided into five chapters.The first chapter mainly explores the connotation of witchcraft culture,research status,research purpose and innovation.The second chapter explores the three sources of Mo Yan’s witchcraft thinking,namely the cultural influence of witches and spirits,the mystification of the fusion of witchcraft and Dao,and the survival needs of the turbulent era.The third chapter mainly starts from the witchcraft folkization of Mo Yan’s novels,revealing the people behind the folk witch ghost veil in Mo Yan’s novels,the nature of ritual and music in the folk carnival coat,and the authentic theme of life in folk art,thus showing the writer.The tireless pursuit of human beauty.The fourth chapter mainly starts with Mo Yan’s witches and ghosts and related internal symbols,and feels the sacredness of life through the life legends of ancient folk myths,the life rules of totem taboos,and the life sacrifices of sacred rituals.The fifth chapter mainly shows Mo Yan’s attention to reality and people’s reflection.Starting with a cold examination of national character and desire,and finding a spiritual home,respectively,it exposes the stubborn and ugly roots of national inferiority nurtured by folk shamanism and the theme of human nature degradation under the flood of desire,thus calling for real people.Mo Yan’s disappointment with the real society made him hide in the witchcraft kingdom in Northeast Gaomi Township,and tried to find the place where his soul was sustenance and the home of life.更多还原