【作者】 李林；

【导师】 李犁；

【作者基本信息】 重庆大学 ， 艺术（美术）（专业学位）， 2021， 硕士

【摘要】 宫立龙作为东北画家的杰出代表,其油画作品具有时代文化特色,从地域特色、本土文化、历史文化汲取创作灵感,积极关注社会现实问题,勇于用大众化的表达方式展现对现实生活的直观感受。其作品突破传统绘画形式,力求探寻独特的个人艺术语言,其中他的乡土题材系列油画最具代表性,该系列作品以东北农民为主要描绘对象,为大众展现了具有时代性的东北地域人文景观以及特定对象的文化处境。本文从宫立龙乡土题材系列油画作品的创作背景、艺术语言及作品的分析、作品所带来的反思与启示三个方面,对该系列作品进行多角度多维度的深入研究,阐述宫立龙独特的艺术理念与风格特征,重点分析东北农民形象的具体表现形式,讨论了丰富东北乡土油画艺术表达的可能性,探寻东北这一特定地区乡土油画的“本土化”发展路径。宫立龙的独特艺术语言表现形式,对笔者绘画创作产生了重要启发。期望借此讨论,引起学界与大众对东北地域文化和东北油画的广泛关注,推进东北地区独具特色的油画创作的发展,扩大东北油画的影响力,为油画创作的“本土化”、“民族化”带来更多可资借鉴的理论资源。更多还原

【Abstract】 As an outstanding representative of northeast painters,Gong Lilong’s oil paintings are rooted in the cultural characteristics of the times,drawing creative inspiration from regional characteristics,local culture and historical culture,actively paying attention to social reality problems,and bravely showing his intuitive feeling of real life in a popular way of expression.His works break through the traditional form of painting,and strive to explore a unique personal artistic language.Among them,his series of local theme oil paintings are the most representative.This series of works mainly depict the Northeast farmers,and show the contemporary Northeast regional cultural landscape and the cultural situation of specific objects for the public.In this paper,from the three aspects of the creation background,artistic language and the analysis of the works,the reflection and Enlightenment brought by the works of Gong Lilong’s local theme series of oil paintings,the author makes a multi angle and multi-dimensional in-depth study of the series of works,expounds Gong Lilong’s unique artistic concept and style characteristics,focuses on the analysis of the specific forms of expression of the image of northeast farmers,and discusses how to enrich the Northeast local oil paintings The possibility of artistic expression,to explore the northeast of this particular area of local oil painting "localization" development path.Gong Lilong’s unique artistic language expression has an important inspiration for the author’s painting creation.It is hoped that this discussion will arouse the wide attention of the academic circles and ordinary audiences to the Northeast regional culture and northeast oil painting,promote the development of unique oil painting creation in Northeast China,expand the influence of northeast oil painting,and bring more theoretical resources for the "localization" 、 "nationalization" of oil painting creation.更多还原