【作者】 刘敏；

【导师】 高欢欢；

【作者基本信息】 湖南师范大学 ， 戏剧与影视学， 2021， 硕士

【摘要】 罗怀臻是当代剧坛上一位富有现代理论意识的剧作家。自20世纪80年代末开始从事戏剧创作到至今已有四十年,尤其是在剧种的传承与创新之中,对文学剧本与舞台呈现完美结合,取得了令人瞩目的成就。本文以罗怀臻创作的戏剧作品作为研究对象,结合时代发展背景和个人创作经历梳理分析,紧扣其提出古今相因的戏曲理念,并如何运用到戏剧创作实践之中,深掘出其作品与时代发展结合的现代意义,及其创作实践为戏曲未来发展所做的努力和探索。全文共分为四章:第一章梳理罗怀臻个人创作经历,对其作品进行了分阶段的概述,分析了罗怀臻剧作特点。具体分为初露头角的萌芽时期、激情爆发的发展时期、不忘初心的多元时期,整体把握其剧种的个性化和题材的现代化的剧作特点;第二章分析罗怀臻古今相因的创新理念,主要从传统与现代交织、“新史剧”观的角度进行分析;第三章从文本的内涵与形式出发,分别对罗怀臻剧作的主题、女性形象的人文关怀以及戏剧结构的形式美进行探究;第四章分析罗怀臻剧作的舞台设计,主要从多重磨合下的舞台艺术、舞台的表现艺术等角度,探究其剧作所呈现独特的舞台效果。罗怀臻的创作,保持着用理性客观的审美态度,结合现代意识的全新角度,生动地阐释着剧作家捕捉到的世界,并借以历史题材把现代人们内心情感呈现到戏剧舞台当中。他总是以一种深沉、犀利的角度挖掘出有关于“人”的深刻内涵,并积极找寻人生的价值与追求,同时在对女性群体的独特关照之下,显露其对纯真美好人性的向往和温煦悲悯的人文关怀。正因其风格独特的剧作,丰富了新时期以来中国戏剧的创作思路,增强了中国戏剧迈向世界戏剧的自信心。更多还原

【Abstract】 Luo Huaizhen is a playwright with modern theoretical consciousness in the contemporary drama world.It has been 40 years since he began to engage in drama creation in the late1980 s.Especially in the inheritance and innovation of drama,the perfect combination of literary script and stage presentation has made remarkable achievements.This article takes Luo Huaizhen’s dramatic works as the research object,combing and analyzing the development background of the times and personal creative experience,and closely follows him to put forward the ancient and modern traditional opera concepts,and how to apply them to the practice of theatrical creation to dig out his works and the times The modern meaning of development integration,and the efforts and explorations made by its creative practice for the future development of Chinese opera.The full text is divided into four chapters: The first chapter combs Luo Huaizhen’s personal creative experience,gives a phased overview of his works,and analyzes the characteristics of Luo Huaizhen’s plays.Specifically,it is divided into the budding period of budding,the development period of passion,and the multi-element period of not forgetting the original intention.The overall grasp of the individuality of the drama and the modern characteristics of the theme;the second chapter analyzes Luo Huaizhen ’ s innovative ideas of ancient and modern reasons,mainly Analyze from the perspective of the interweaving of tradition and modernity and the concept of "new historical drama";Chapter3 starts from the connotation and form of the text,and explores the themes of Luo Huaizhen’s plays,the humanistic care of female images,and the formal beauty of the drama structure;The fourth chapter analyzes the stage design of Luo Huaizhen’s plays,and explores the unique stage effects of his plays from the perspectives of stage art and stage performance art under multiple running-in.Luo Huaizhen’s creation maintains a rational and objective aesthetic attitude,combined with a new perspective of modern consciousness,vividly interprets the world captured by the playwright,and uses historical themes to present the inner emotions of modern people to the theater stage.He always digs out the profound connotation of "people" from a deep and sharp perspective,and actively seeks out the value and pursuit of life,and at the same time,under the unique care of the female group,he reveals his yearning for innocence and beautiful humanity.Gentle and compassionate humanistic care.It is precisely because of his unique style of play that has enriched the creative ideas of Chinese drama since the new era,and has strengthened the self-confidence of Chinese drama to move towards world drama.更多还原