【作者】 陈燕；

【导师】 蒋振华；

【作者基本信息】 湖南师范大学 ， 中国古代文学， 2021， 硕士

【摘要】 金末全真道士长筌子的《洞渊集》有较高的文学和艺术价值,但学界对长筌子及其《洞渊集》的研究很少,没有完整的研究专题。故本文通过考证长筌子的生平及创作情况,深究其丰富的道教思想,并探讨其文章的艺术特征等,以期还原一个全真道士的文学创作面貌,给其相对客观的历史定位。本文共分为四章:第一章主要考证长筌子的生平,概述其创作情况。通过查阅大量文献资料,确定长筌子为金末正大年间全真教道士,并就学界对长筌子与冯尊师是否为一人的争论作了补充性的论证。其创作以《洞渊集》为主,文体包含诗、文、词、赋四类;题材多样,涉及宣讲道旨、丹道修炼、劝善警顽、隐居写实等多种。第二章重点研究长筌子的道教思想。根据《洞渊集》,整理总结出作者较为鲜明的全真思想有:普世度人的济世思想、禁欲苦修的修炼理念和三教圆融的时代思想等。第三章着重探究《洞渊集》多样化的艺术特色。以《洞渊集》中的诗词文赋为主要研究对象,并结合时代背景和作者浓厚的传教思想,来解析其作品中富有意蕴和特色的篇章,梳理出重要的艺术特色有:丰富多样的典故、奇妙多变的比喻和俚俗化的语言。这几个特色涵盖了《洞渊集》的各个文体,并且呈现出一种蔚为大观的状貌。这些手法的使用,不仅有利于文章进行宣道传道,还使得文章简洁易懂而摇曳生姿,脱去了道教作品中难以避免的枯燥说教,而显出雅化和俗化交织的艺术美感。第四章肯定长筌子《洞渊集》的道教价值和文学价值。长筌子致力于以文弘道的传道实践,用多样化的艺术形式来宣扬全真教义,对全真教的发展壮大有很大的贡献。长筌子以诗人自居、有意为文的创作理念使《洞渊集》呈现出较浓厚的文学色彩,是全真教作品中的较好之作,有很高的道教文学价值,在道教文学史中,占有一席之地。更多还原

【Abstract】 The Dongyuan Collection by Quanzhen Taoist priest Changquanzi at the end of the Jin Dynasty has high literary and artistic value.However,there is very little research on Changquanzi and his Dongyuan Collection in the academic circles,and there is no complete research topic.This article examines Changquanzi’s life and writing situation,studies his rich Taoist thoughts,and discusses the artistic characteristics of his articles,in order to restore the literary creation of a Quanzhen Taoist priest and strive to give him a relatively objective historical position.This article is divided into four chapters:The first paragraph mainly inspects the life and works of Changquanzi.By consulting a great deal of historical books and literary documents,it is confirmed that changquanzi is quanzhen Taoist priest in zhengda period at the end of jin dynasty,and a supplementary argument is made on whether Changquanzi and feng zunshi are one person in the academic community.His work is mainly Dong Yuan Collection,the style includes four types of poems,essays,ci and fu;the subject is diverse,involving preaching the Taoist decree,alchemy practice,advising on the stubbornness of virtue,and living in seclusion.The second chapter focuses on the Taoist thoughts of Changquanzi.According to the Dong Yuan Collection,the author’s more distinctive and true thoughts are summarized as follows: the religious thoughts of universal salvation,the practice philosophy of asceticism and penance,and the harmony of the three religions of the times.The third chapter explores the diversified artistic characteristics of Dong Yuan Collection.This article takes Changquanzi’s Dongyuan Collection as the main research object,combined with the background of the times and the author’s strong missionary thinking,to analyze the meaningful and characteristic chapters in his works,and sort out the Dongyuan Collection.The important artistic characteristics of the art are:rich and dense allusions,wonderful and ever-changing metaphors and vulgar language.These features cover the poems and prose of Dongyuan Collection,and present a splendid sight appearance.The use of these techniques not only facilitates the preaching of the article,but also makes the article concise,easy to understand and swaying.It gets rid of the inevitable boring preaching in Taoist works and shows the artistic beauty of elegance and vulgarity.The fourth chapter affirms the Taoist value and literary value of Changquanzi’s Dongyuan Collection.Changquanzi is committed to the preaching practice of promoting Taoism through literature,and uses diversified artistic methods to promote the doctrine of Quanzhen,which has made great contributions to the development of Quanzhen Sect.Changquanzi’s creative concept of taking himself as a poet and writing intentionally makes Dongyuan Collection present a strong literary color.It is a good work among Quanzhen’s works and has a high Taoist literary value.更多还原