【作者】 李婷；

【导师】 岳红记；

【作者基本信息】 长安大学 ， 风景园林学， 2021， 硕士

【摘要】 园林题记在景观设计中渊源已久。目前,人们为实现一定的目标,通过建设和管理来改善与塑造景观环境,从而产生了书法景观。近些年,部分研究学者对书法景观的设计方法进行研究,但是书法景观空间设计在国内外研究中却未涉及,长期以来针对它的思考却并未先于其本身出现。本论文在借鉴和运用书法景观、景观空间原理、视知觉相关理论基础上,以书法景观空间为研究对象,文化主题公园为研究范围。通过阅读相关文献、实地考察等方式,从景观学角度研究文化主题公园的书法景观空间。本论文运用风景园林学原理、景观设计学、环境心理学及其相关理论,在以人为本的基础上,综合研究分析游客在步行状态下对书法景观的主观感受,探究书法景观空间设计理论与相关理论概述,对各个空间节点书法景观内容进行分析,将其具象到书法景观空间形式以及空间序列塑造等表达方式中进行探究,并分析了书法景观空间中游客的视觉感知,以便书法景观的空间设计更具说服力。最后,本论文以四类不同的文化主题公园唐城墙遗址公园、铜川书画公园、九成宫公园、琅琊山醉翁亭的书法景观空间为案例进行研究,通过分析其书法景观空间存在优点及不足之处,并对其存在问题提出设计建议。在文化主题公园书法景观空间设计中,需注重其空间秩序感与序列的关联性,要把握全园整体空间层次,从局部空间的意境、视线以及路径营造,使空间序列从竖向空间到横向空间都具有节奏与层次。依据不同文化烘托不同气氛,更好的突出文化主题公园的特性,提升文化主题公园整体空间品质。更多还原

【Abstract】 Garden inscriptions have a long history in landscape design.At present,in order to achieve certain goals,people use construction and management to improve and shape the landscape environment,resulting in calligraphic landscapes.In recent years,some scholars have conducted research on calligraphy landscape design methods,but calligraphy landscape space design has not been involved in domestic and foreign research,and long-term thinking about it has not appeared before itself.This thesis uses calligraphy landscape,landscape space principles,and visual perception related theories for reference and uses calligraphy landscape space as the research object and cultural theme park as the research scope.Through reading related documents,field investigations,etc.,study the calligraphy landscape space of cultural theme parks from the perspective of landscape science.This thesis uses the principles of landscape architecture,landscape design,environmental psychology and related theories.On the basis of people-oriented,comprehensive research and analysis of tourists’ subjective feelings of calligraphy landscape in the walking state,and explore calligraphy landscape space design theory and related theories To summarize,analyze the content of calligraphy landscape in each space node,and explore its representation in the form of calligraphy landscape space and spatial sequence shaping,and analyze the visual perception of visitors in the calligraphy landscape space so that the space design of the calligraphy landscape can be improved.Persuasive.Finally,this thesis takes the calligraphy landscape space of four different cultural theme parks,Tang City Wall Ruins Park,Tongchuan Calligraphy and Painting Park,Jiucheng Palace Park,and Langya Mountain Zuiweng Pavilion as case studies,and analyzes the advantages and disadvantages of their calligraphy landscape space.In the calligraphy landscape space design of cultural theme parks,it is necessary to pay attention to the relationship between the sense of spatial order and the sequence,and to grasp the overall spatial level of the whole park,from the artistic conception of the local space.,Line of sight and path construction make the spatial sequence from vertical space to horizontal space have rhythm and level.Different atmospheres are set off according to different cultures,so as to better highlight the characteristics of cultural theme parks.Improve the overall spatial quality of cultural theme parks.更多还原