【作者】 张雷；

【导师】 朱纪；

【作者基本信息】 青岛科技大学 ， 美术学， 2021， 硕士

【摘要】 自唐三彩烧制技艺被选为国家级非遗以来,唐三彩人俑实现了从地下到地上的身份转变,被赋予了非遗层面的新含义。随着非遗三彩俑技艺的发展,其诸多的传承困境开始被人们所认知,唐三彩人俑工艺的复制和发展问题也显得更为重要。当前国内外对唐三彩人俑的研究较为丰富,但大多是从考古和文物鉴定角度关注古代的唐三彩人俑,对当前仿古和新工艺三彩俑的技艺流程和存在意义缺乏关注。为数不多的唐三彩非遗研究文献也为不同唐三彩种类的综合性研究,而非将人俑作为主要专题。本文选取了唐三彩人俑出土较多、技艺影响较广的洛阳地区为例,对该地区三彩俑的发展变迁进行研究,得出了该地区古代与现代的三彩人俑虽在功能和技艺上有着诸多内在联系,但仍因不同时代中功能定位的不同而导致其技艺风格产生变化的结论。在此之上,本文将这些差异逐一分析,探讨了其中的利弊,继而结合传承人和其他相关从业人员的口述,提炼最新的数据资料,总结出洛阳地区唐三彩人俑非遗在技艺传承过程中的经验心得,探究唐三彩人俑技艺在当今环境下的发展空间,为其所存在的困境提供对策,实现其创新方向与前景上的设想,以求该技艺能在新时代中发挥新的价值。更多还原

【Abstract】 At present,there are abundant researches on the three color figurines of Tang Dynasty a t home and abroad,but most of them focus on the ancient three color figurines of Tang Dy nasty from the perspective of Archaeology and cultural relic identification,and lack of att ention on the technical process and existing significance of the current antique。The few literatures on the intangible cultural heritage of the three colors of the Tang Dyna sty are also comprehensive studies of different types of the three colors of the Tang Dynas ty,rather than taking the terracotta figures as the main topic.This paper takes Luoyang area,where the three color figurines of the Tang Dynasty hav e been unearthed more and the techniques have a wide influence,as an example to study t he development and changes of the three color figurines in this area.It is concluded that a lthough the ancient and modern three color figurines of the Tang Dynasty have many inter nal relations in function and techniques,their techniques and styles are still changing due to the different functional positioning in different generations.On this basis,this paper ana lyzes these differences one by one,discusses the advantages and disadvantages,and then combined with the oral statements of inheritors and other relevant practitioners,refines th e latest data,summarizes the experience and lessons of intangible cultural heritage of Tan g three color figurines in Luoyang area,explores the development space of Tang three col or figurines in today’s environment,and provides reference for its existing difficulties In o rder to take measures to realize its innovation direction,also prospect.and play a new role in the new era.This paper takes Luoyang area,where the three color figurines of the Tang Dynasty hav e been unearthed more and the techniques have a wide influence,as an example to study t he development and changes of the three color figurines in this area.It is concluded that a lthough the ancient and modern three color figurines of the Tang Dynasty have many inter nal relations in function and techniques,their techniques and styles are still changing due to the different functional positioning in different generations.On this basis,this paper ana lyzes these differences one by one,discusses the advantages and disadvantages,and then combined with the oral statements of inheritors and other relevant practitioners,refines th e latest data,summarizes the experience and lessons of intangible cultural heritage of Tan g three color figurines in Luoyang area,explores the development space of Tang three col or figurines in today’s environment,and provides reference for its existing difficulties In o rder to take measures to realize its innovation direction,also prospect.and play a new role in the new era.更多还原