【作者】 王燕；

【导师】 张玉江；

【作者基本信息】 燕山大学 ， 美术学， 2020， 硕士

【摘要】 在美术创作中,黑色是最常见也是最常用的一种颜色。人类的原始先民最初也是用炭黑的材料在那些人迹罕至的洞穴深处或者难以攀爬的悬崖峭壁凿刻下一些符号,勾勒出一些图案,这些符号图案在穿越了千年的沧桑岁月之后,成为我们今天见到的原始艺术。在这些原始而又充满神秘感的作品中,我们能体察到先民们对“黑色”的本能恐惧和崇尚。从此,“黑色”几乎贯穿了整个世界美术史,也成为人类五彩斑斓生命的托底之色。本文对“黑”在中国美术创作中的美学价值研究除绪论外分为三个部分。第一部分以“黑”在美术中的出场为主线,以创世“混沌”中化育生命的“黑”为着眼点,以“黑”与生命之红的对应为契机,将“黑”色线条中的生命张力注入中国美术创作之中;第二部分以中国美术创作中“黑”之美的具体呈现为导引,从黑色材料的多样性、笔墨气韵凝结的物象世界及黑白意境互成的诗意空间三个方面,将“黑”的美学价值研究从“实”体的物质之美升华为“虚”体的精神之美,表现为极具中国特色的“黑”的美学精神;通过第三部分“黑”在现当代美术创作中的延续与发展,明确中国“黑”中的美学精神在指引着中国书画艺术和绘画理论走向体系化和完善化的同时,也在潜移默化中影响和改变着世界艺术的发展方向。“黑”在中国美术创作中所呈现的是多元而深刻的宇宙本源之美,是中华民族的文化基因之美,是中华传统精神命脉的延续之美,这种熠熠生辉的“黑”之美在瞬息万变的当代世界艺术浪潮中,正以其一贯内蕴而包容的姿态向世界展现中华民族的审美风范,同时也向世界证明中华优秀传统文化中所蕴含的内涵与精髓,不论过去、现在还是将来,都有历久弥新、永不容褪色的价值。更多还原

【Abstract】 Black is the most common and commonly used color in art creation.The primitive ancestors of mankind initially used carbon black materials to carve some patterns in the inaccessible caves or cliffs.These symbol and patterns have become the primitive art we see today after thousands of years.In these original and mysterious works,we can appreciate the instinct fear and admiration of "black" by the ancestors.Since then,"black" has been almost penetrated in the entire art history of the world,and has also become the background color of human life.Except the introduction,the research on the aesthetic value of "black" in Chinese art is divided into three parts.In the first part,taking the appearance of "black" in art as the main line,taking the spawning of life "black" in the "chaos" of creation as the focus,and taking the correspondence between "black" and the red of life as an opportunity,the life tension of "black" color lines is injected into Chinese art creation.In the second part,guided by the detailed demonstration of the beauty of "black" in Chinese art creation,and from three aspects: the diversity of black materials,the world of objects created by pen-ink and artistic conception,poetic space of both black and white and artistic conception,the research on the aesthetic value of "black" is sublimated from the material beauty of "real" object to the spiritual beauty of "virtual" conception,showing the aesthetic spirit of "black" with Chinese characteristics.In the third part through the continuation and development of "black" in modern and contemporary art creation,it is explained that the aesthetic spirit of "black" in China not only guides the Chinese painting and calligraphy art and painting theory towards systematization and perfection,but also influences and changes the development direction of world art subtly.What "black" presents in Chinese art creation is the diverse and profound origin beauty of the universe,the beauty of the cultural gene of the Chinese nation,and the beauty of the continuation of the traditional Chinese spiritual lifeline.In the ever-changing tide of contemporary world art,this shining beauty of "black" is showing the aesthetic style of the Chinese nation to the world with its consistent and inclusive style,and also proving the connotation and essence contained in the excellent traditional Chinese culture to the world,and it has an everlasting value in the past,present and future.更多还原