【作者】 陈丹；

【导师】 曾进；

【作者基本信息】 湖南师范大学 ， 美术（专业学位）， 2020， 硕士

【摘要】 弘仁是一位具有开创性的明末清初山水画家,其作品中展现出峻逸、腴润、枯淡、宁静的艺术风格。弘仁师法传统,师法造化,结合自己情感个性,形成独特的绘画语言和艺术面貌。通过对弘仁艺术特征分析总结,对其作品《披云峰图》的解读与临习,在笔墨上有取法,提升自己笔墨表现能力,拓展山水画创作思路,指导创作实践进行专业探索是本课题研究意义。本文共分为四章,第一章从弘仁所处明末清初的时代背景和人文环境出发,研究弘仁的生活经历、所处环境和师承关系等对弘仁绘画艺术的影响,分析弘仁山水画特征形成的因素,探析其艺术成就以及对山水画坛的影响。第二章通过临摹弘仁作品《披云峰图》分析体会弘仁构图、笔墨及艺术特点,深化对弘仁艺术风格的学习与把握。第三章论述了此次毕业创作的实践过程,从取景构图、笔墨运用到画面整体上色及调整,用理论联系实际,明确文章写作的目的和意义。第四章总结我在《山居秋暝》创作过程中的感悟与收获,学习山水画扎根于传统是必要的,在提升笔墨的同时深化对自然的认识,才能通过笔墨语言更好的抒发情感,做好继承与创新的转化,尊重美的客观规律,创作出具有时代精神的艺术作品。更多还原

【Abstract】 Hongren is a pioneering landscape painter in the late Ming and early Qing Dynasty,whose works show the artistic style of preciseness,plumpness,dryness and tranquility.Hongren’s teaching tradition,learning by nature,combined with his own emotional personality,forms a unique painting language and artistic appearance.Through the analysis and summary of Hongren’s artistic characteristics,the interpretation and temporary study of his work "the painting of the cloud peak",it is of great significance to study how to choose the brush and ink,improve my ability to express the brush and ink,expand the creative thinking of landscape painting,and guide the creative practice to carry out professional exploration.This paper is divided into four chapters.The first chapter starts from the background of Hongren in the late Ming and early Qing Dynasty,studying the influence of Hongren’s life experience,the environment and the relationship between teachers and successors on Hongren’s painting art,analyzes the factors of the formation of Hongren’s landscape painting characteristics,analyzes its artistic achievements and the impact on the landscape painting world.The second chapter analyzes the composition,painting and artisticcharacteristics of Hongren by copying his work "the painting of cloud peak",so as to deepen the study and grasp of Hongren’s artistic style.The third chapter describes the practical process of this graduation creation,from scene composition,ink application to the overall painting and adjustment,combining theory with practice,to clarify the purpose and significance of the article writing.The fourth chapter discusses my perception and harvest in the creation of "autumn dusk in mountain dwelling".It is necessary to learn landscape painting rooted in the tradition.We should deepen the understanding of nature while improving the brush and ink,so that we can better express our emotions through the brush and ink language.Do a good job in the transformation of inheritance and innovation,respect the objective laws of beauty,and create works of art with the spirit of the times.更多还原