【作者】 刘敏；

【导师】 侯运华；

【作者基本信息】 河南大学 ， 中国现当代文学， 2020， 硕士

【摘要】 汪曾祺深深根植于传统,自觉继承着中国传统文学的智慧,并出色地将传统资源应用到当代写作。本文以汪曾祺上世纪八十代复出之后的小说为重点研究对象,依托中国古今演变研究视角,在形式内容的视野下,就汪曾祺小说的语言修辞、取材谋篇、行文节奏及意境营造等文学形式要素,深入挖掘汪曾祺小说创作取源于古典文学的具体成分。并立足文本细读,阐释汪曾祺对古典文学传统资源的借鉴和现代运用,以及由此形成的创作风格和古典韵味。本文力图将传统与现代、古典文论和现代汉语结合起来,系统论述以汪曾祺为代表的当代作家向中国古典文学中汲取创作资源,并获得创造性转化和发展的一种当代写作方式,即基于现代知识分子独立精神上对文学传统进行创造性转化,使其小说在现代精神召唤下焕发出来自传统的迷人的古典色彩,更体现出传统的当代价值。全文分绪论、正文和结语三个部分。绪论部分主要介绍汪曾祺的研究现状,并对相关概念进行界定与说明,同时论述本课题研究的思路及写作价值。正文部分共分四章:第一章论述汪曾祺小说语言修辞对古典文学的承续,即取归有光之清淡文笔写浓情,得桐城文派作文之雅洁之趣,承四字句传统以达和谐美感,加入文言字、词以及建设语言的诗性结构,实现着古调与今语的融合,有着古典诗文中的质朴之味,又能在简约中散发幽情;第二章考察汪曾祺小说的取材谋篇和行文节奏对古典文学资源的借鉴和现代应用,主要从取材世俗化承续晚明小品传统和行文节奏浸染桐城派“文气”两个方面展开论述;第三章从意境角度考察汪曾祺小说对古典诗词传统的借鉴和吸收,体现为“诗骚”传统的复归,境外之意的渗透以及“和”的审美理想的显现。汪曾祺在当代文化语境中将古典诗歌的传统因子引入当下,使其小说在古典气息的浸润下散发出独特的艺术魅力;第四章探流溯源,从汪曾祺的文化选择入手,考察他向传统复归的文化选择和“打通与融合”的文学观,并结合汪曾祺的教育背景和传统文学素养对他整个文学活动动因作出诠释和评价。结语部分以汪曾祺为个案探寻古典文学的传统血脉和精神渊源在当下的延续,用古今贯通的眼光来考察汪曾祺小说创作对古典传统因子的衍化与更新,进而为当代作家引古典文学资源入当代写作,提供借鉴和启发,同时更为当代学人如何借助古典文学唤回文化自信,又如何吸取传统资源提升当代文学审美品格等一系列问题带来思考。更多还原

【Abstract】 Wang Zengqi is deeply rooted in tradition,consciously inheriting the wisdom of traditional Chinese literature,and excellently applying traditional resources to contemporary writing.The thesis takes Wang Zengqi’s novels in the 1980 s after the comeback as the research object,relying on the perspective of Chinese ancient and modern evolution research,from the perspective of formal content,Through the literary form elements of Wang Zengqi’s novels,such as language,material selection,writing rhythm and artistic conception,deeply explore the specific elements of Wang Zengqi’s novel creation derived from classical literature,and explain in detail Wang Zengqi’s reference and modern use of traditional literature traditional resources,and the unique literary style and classical charm produced by this.The thesis seeks to combine tradition with modern,classical literary theory and modern Chinese,and examines a contemporary writing method in which contemporary writers represented by Wang Zengqi draw creative resources from Chinese classical literature and obtain creative transformation and development,that is,based on modern knowledge molecular independent spirit creatively transforms the literary tradition,so that its novels can radiate a charming classical color from the tradition under the call of the modern spirit,and reflect the contemporary value of the tradition.The thesis is divided into three parts: introduction,body and conclusion.The introduction part mainly introduces Wang Zengqi’s research status,defines and explains related concepts,and discusses the research ideas and writing value of this topic.The body is divided into four chapters: The first chapter discusses the continuation of Wang Zengqi’s novel language rhetoric to classical literature,Absorb Gui Youguang’s writing,get the TongchengSchool’s rhetoric tradition,inherit the four-character tradition to achieve a harmonious beauty,inherit the classical Chinese words and construct the poetic structure of the language,realize the integration of ancient and modern,with the simple style of classical poetry,and can express rich meaning in concise language;The second chapter examines the reference and modern application of Wang Zengqi’s novels and writing rhythm to classical literature resources.It mainly discusses from two aspects,that is inheriting the Ming Dynasty prose tradition and writing rhythm to infuse the Tongcheng school’s "Anger of article";The third chapter examines Wang Zengqi’s novels’ reference and absorption of the classical poetry tradition from the perspective of artistic conception,which is reflected in the return of the tradition of "Poetry and Sao",the penetration of the meaning outside the country and the appearance of the aesthetic ideal of "harmony";The fourth chapter traces the source,starting with Wang Zengqi’s cultural choices,examining his conscious view of literature,and further interpreting and evaluating Wang Zengqi’s entire literary motivation.The conclusion part uses Wang Zengqi as a case to explore the continuation of the traditional blood and spiritual origins of classical literature in the present,and examines the derivation and renewal of classical traditional factors in Wang Zengqi’s novel creation from the perspective of ancient and modern,and then introduces classical literature resources into contemporary writing,To provide reference and inspiration,and at the same time bring more thinking to contemporary scholars on how to use classical literature to regain cultural self-confidence,and how to absorb traditional resources to enhance the aesthetic character of contemporary literature.更多还原