【作者】 王卓亚；

【导师】 赵士林；

【作者基本信息】 上海大学 ， 新闻学， 2019， 硕士

【摘要】 互联网技术革命使网络媒介全面渗入大众生活,人们的精神消费需求日趋多元,处于大众文化边缘的各类亚文化现象借助新媒体的力量,逐渐以流行的形式走进大众视野,同人文化即其中的一支。为尽可能准确地描绘本土同人文化的最新特征,本文以国产电影《红海行动》同人群体的文化实践为研究对象,在青年亚文化理论的关照下,采用虚拟民族志的方法对同人群体的社交行为与文本内容进行考察,分析中国网络空间同人群体的抵抗风格及其成因,探讨同人文化与主导文化之间的关系。本文首先从同人主体的行为层面分析了《红海行动》同人爱好者的社交实践,探究她们如何选择原初符号、选择媒介工具,以及她们从个体走向群体中的身份认同建构。同人互动的产生需要有能使同人主体从中辨认自我的象征物品和利于培养异质文化的新媒体场景,同人主体在群体内外的互动中确认了自我,取得了区别于他人的文化身份,加强了对所属群体的身份认同。接着从同人文本的内容层面分析了《红海行动》同人作品的话语实践,自文本、话语、社会三个向度,探究同人群体进行意义生产和价值输出的逻辑。同人作品中解构性的情感修辞和反传统的同性幻想承载了同人群体的感性欲望,多中心的参与式创作与互文性的文本分配使文本的生产和消费成为一种文化共享的仪式,精英崇拜的内核与现实文学的色彩使同人文本发挥了文化批判的功能。最后总结了《红海行动》同人群体在文化实践中的自我规训与“噪音”美学风格,并结合群体成员的自述阐释了她们进行仪式抵抗的原因:依靠社交实践中的纯粹关系以及话语实践中的精神表达来缓解认同危机、进行平权实践、抗拒消费文化。当前中国网络空间的同人文化是以女性为主导、具有“后喻”性质的青年亚文化,与主导文化间是相互纠偏的关系。尽管微抵抗性的同人艺术不具备唤起现实社会运动的革命性力量,但它至少在文化消费的愉悦中,自下而上、潜移默化地重新绘制了社会的道德轮廓与容忍边界,具有超脱符号层面的实践意义。更多还原

【Abstract】 The internet technology revolution has made the network media permeate into the public life in an all-round way,people’s spiritual consumption demands are becoming more and more diverse.With the help of new media,various sub-cultural phenomena on the edge of mass culture have gradually entered the public’s vision in a popular form,Doujin culture is one of them.In order to accurately depict the latest characteristics of Doujin culture in China’s cyberspace,this dissertation focuses on the cultural practice of the domestic film Operation Red Sea’s Doujin group in view of the youth subculture theory,uses the method of virtual ethnography to investigate their social behavior and text content to analyze the style of the resistance as well as its causes and discuss the relationship between Doujin culture and the dominant culture.The dissertation analyzes the social practice of the Operation Red Sea’s Doujin hobbyists from the behavioral level at first,and explores how they choose the original symbols and media tools,as well as their identity construction from individual to group.The emergence of Doujin interaction requires symbolic objects from which the Doujin subjects can identify themselves and new media scenarios that are conducive to fostering heterogeneous cultures.They confirm themselves in the interaction inside and outside their group,acquire the cultural identity different from others and strengthen the identity of the group they belong to.Then analyzes the discourse practice of the Operation Red Sea’s Doujin works from the content level of the text,explores the logic of their meaning production and value output from the dimensions of text,discourse and society.The deconstructive emotional rhetoric and anti-traditional homosexual fantasy in the Doujin works load the group members’ emotional desire,the participatory multi-center creation and intertextual text distribution make the production and consumption of texts a ritual of cultural sharing,the essence of elite worship and the color of realistic literature make their texts play the role of cultural criticism.Finally summarizes the self-discipline and "noise" aesthetic style of the Operation Red Sea’s Doujin group in their cultural practice,and explains the reasons for their ritualized resistance based on the self-narration of the group members: relying on the pure relationships in social practice and the spiritual expressions in discourse practice to alleviate identity crisis,carry out affirmative practice and resist consumer culture.The Doujin culture in China’s Cyberspace at present is a youth sub-culture dominated by women and characterized by " post-figurative",rectifying each other’s deviations with the dominant culture.Although Doujin art’s tiny resistance does not have the revolutionary power to arouse the realistic social movement,it at least redraws the moral outline and tolerance boundary of the society implicitly from the bottom to the top in the pleasure of cultural consumption,which has practical significance beyond the level of symbols.更多还原