【作者】 张丽；

【导师】 沈鲁；

【作者基本信息】 南昌大学 ， 广播电视艺术学， 2019， 硕士

【摘要】 自有声电影诞生以来,伴随其中的电影音乐为电影注入了特有的魅力与美学意蕴。随着电影艺术的日趋发展与数字技术的成熟,人们对电影音乐的认知与关注度也越来越高,但是大多数目光却投向了对电影音乐本体的研究,或停留于对音乐浅层的理解与感知,而较少聚焦于电影音乐对影像的空间构建及内在的叙事功能研究。电影是音画兼具的艺术,可以说电影中的音乐是推动叙事的元素之一,电影配乐的质量关系着电影的成败。本文从电影音乐与电影叙事出发,结合符号学、电影理论、传播学、音乐美学、心理学及后现代主义理论,以姜文电影为案例,解析其电影艺术创作的特色,剖析姜文电影音乐所具有的独特叙事功能。论文结合影像空间的变形、视听聚焦、时空叠印三个维度解读姜文电影音乐参与影像空间叙事的方式;从音乐的线性叙事、音乐的平行叙事、音乐的错位叙事三种形态解构姜文电影音乐与叙事构建的特点。本文的主要观点为音乐与影像的叠印可以推进叙事节奏;音乐与情节的契合能够深化叙事主旨;电影音乐联结受众需求将带来审美感受,在如今的消费时代姜文电影音乐的叙事创意是可贵与难得的。本文以丰富的研究视角与研究方法,对电影音乐叙事构建的梳理与总结、姜文电影音乐叙事的深入剖析,为电影音乐与叙事理论的丰富给予了一定的借鉴与启示,也为艺术创作者和电影音乐创作者提供进一步的思考与建议。更多还原

【Abstract】 Since the birth of the sound film,the film music with it has injected infinite charm and aesthetic shock into the film.With the increasingly development of movie art and digital technology matures,people’s cognition and attention to the film music is becoming higher and higher,but most of them to the study of film music ontology,or stay in shallow understanding of music and awareness,but less focused on the spatial construction of film music and the study of internal narrative functions.Film is an art of both sound and picture.It can be said that film music is an important elements in promoting film narrative.The quality of film music is even related to the success or failure of film.Starting from film music and film narration,this thesis combines semiotics,film music theory,communication science,music aesthetics,psychology and postmodern theory,and takes Jiang Wen’s film as a case to analyze the characteristics of film art creation and analyze the unique narrative function of Jiang Wen’s film music.This thesis interprets the ways of jiang wen’s film music participation in the film space narrative by combining the three dimensions of image space deformation,audio-visual focus and space-time overprint.The characteristics of jiang wen’s film music and its narrative construction are deconstructed from three forms: linear narrative of music,parallel narrative of music and dislocation narrative of music.The main points of this thesis are : the overprint of music and video can promote the rhythm of narrative;the combination of music and narrative can deepen the theme of narration;the combination of film music and audience needs will bring an aesthetic feeling.In the era of consumption,the narration of Jiang Wen’s film music is precious and rare.This new unique research perspective and research methods,through the combing and summarization of the film music narrative construction and the in-depth analysis of Jiang Wen’s film music narrative,have given some reference and enlightenment for the richness of film music and narrative theory,and also provided for film musicians.Further thoughts and suggestions.更多还原