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纪录片《活着》

To Alive

【作者】 杨茜

【导师】 晋群;

【作者基本信息】 云南大学 , 新闻与传播(专业学位), 2019, 硕士

【摘要】 纪录片的本质应是对客观事实的再现,是拍摄者对社会现象进行调研观察后,选取拍摄对象进行拍摄,再经过后期思考剪辑形成的一个有主题、有见解、有表达的影像。真实是纪录片的生命,故事是纪录片的看点。近年来视频传播的影响力被大众所熟知,人人都可以是记录者,诸多因素的出现导致现在拍摄者在记录真实时会有一定的阻碍。镜头权威让大众有顾虑,镜头记录的真实有时也让被拍摄者有所忌惮。本文以笔者拍摄的纪录片《活着》为例,阐释笔者在拍摄过程中对纪录片真实性疑问。

【Abstract】 Documentary is an insightful and expressive image with a certain theme produced by the photographer after investigating and observing social phenomena,choosing the shooting object,and then editing.The essence of documentary film is to reproduce objective facts.Truth is the life of documentaries,and stories are the focus of documentaries.But in recent years,the influence of video transmission has been well known to the public.Everyone can be a recorder.The emergence of many factors has led to some obstacles for the filmmakers when recording the truth.The authority of the camera makes the public worried,and the truth of the camera record sometimes makes the subject afraid.This essay takes the documentary To Live as an example to explain the photographer’s views and doubts in the shooting process.

【关键词】 纪录片残疾人现状真实性
【Key words】 DocumentaryDisabled PeopleAuthenticity
  • 【网络出版投稿人】 云南大学
  • 【网络出版年期】2020年 03期
  • 【分类号】J952
  • 【下载频次】76
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