【作者】 陈伟；

【导师】 杨星星；

【作者基本信息】 云南大学 ， 新闻与传播， 2018， 硕士

【摘要】 本研究从叙事学和空间理论的视角,以蔡明亮导演的九部作品为研究样本,以他作品中的叙事空间为研究对象,使用内容分析法和个案研究法以及文献研究法,从叙事空间的构造、叙事空间的表现、叙事空间的重组来探讨他的空间叙事实践及其形成的叙事空间的特色,并总结他的叙事主题以回应叙事空间的特色,进而分析这种风格形成的原因以及这种风格对电影艺术等的意义。本研究的主体总共包括四个部分,依次是空间叙事的理论阐释、蔡明亮电影的空间叙事实践、蔡明亮电影的空间叙事特色、蔡明亮电影空间叙事风格的形成原因及意义。以期回答这些问题:蔡明亮的电影叙事是如何塑造叙事空间来完成的?这种叙事空间存在什么特色?这种特色是否与电影表达存在一定的关系?以及这种空间叙事风格形成的原因和意义。本研究发现,蔡明亮构造了大量用以叙事的城市空间,展开了城市边缘人叙事,使用了大量长镜头和效果声,表现了更加真实的影像世界和更加丰富的人物情感,使用了平行蒙太奇手段,重组了叙事空间,获得了更强的感染力和表现力。本研究还发现,蔡明亮在构造叙事空间时,十分注重空间的封闭性;在表现叙事空间时,固定长镜头的使用,使得空间具有沉闷感,景深长镜头的使用,使得空间具有层次感,此外,声音空间呈现出基本消除对白声、重点突出效果声的特点,歌舞空间呈现出强烈的反差感。这些实践所形成的叙事空间的特点,都有利于表达孤独和欲望这两个叙事主题。在最后,笔者还认为,这种空间叙事风格的形成与导演自身的成长经历以及他当时所处的社会环境存在一定的关系,虽然这种叙事风格并不一定能普及,但仍能丰富电影艺术的表达。更多还原

【Abstract】 The study is based on the perspective of narratology and space theory,and discusses Tsai Ming-liang’s space narrative practice and the characteristics of his narrative space from the construction of narrative space,the representation of narrative space and the reorganization of narrative space,nine works directed by Tsai Ming-liang’s as research samples,the narrative space in his works as the research object,by using content analysis method and case study method and documentary research method.Then,the study summarizes his narrative themes to respond to the characteristics of narrative space.At last,the study analyzes the reasons for this style formation and the significance of this style to film art,etc.The study is divided into five parts in total,the theoretical interpretation of space narrative,the space narrative practice of Tsai Ming-liang’s films,the space narrative features of Tsai Ming-liang’s films,and the formation reasons and significance of Tsai Ming-liang’s space narrative style included.To answer these questions:How Tsai Ming-liang’s films narration is completed by shaping the narrative space?What are the characteristics of this narrative space?Does this feature have a certain relationship with movie expression?What are the reasons and significance of this space narrative style?The study finds that Tsai Ming-liang has constructed a large number of urban spaces for narratives to start urban narratives,has used a large number of long shots and effect sounds to show a more realistic image world and richer character emotions,has used parallel montage means to reorganize the narrative space and gain stronger appeal and expressive power.The study also founds that Tsai Ming-liang paid great attention to the closedness of space when he constructed the narrative space.In his performance of the narrative space,the use of a fixed long lens makes the space dull,the use of a long lens in the depth of field makes the space feel layered,in addition,the voice space has the characteristics of basically eliminating dialogue and highlighting the effects,the singing and dancing space presents a strong contrast.The characteristics of the narrative space formed by these practices are conducive to expressing the two narrative themes of loneliness and desire.In the end,the author holds the opinion that the formation of this space narrative style has a certain relationship with the director’s own growth experience and the social environment in which he was at that time.Although this narrative style is not necessarily universal,it still enriches the film art expression.更多还原