【作者】 赵磊；

【导师】 赵晓峰；

【作者基本信息】 河北工业大学 ， 建筑学， 2016， 硕士

【摘要】 唐代是中国古典园林艺术发展的转折期,文人士大夫阶层积极参与造园活动为园林艺术注入深刻的文化内涵,在此基础上生成的审美观照与空间认知是其流变的主要内容。白居易作为中唐知识分子的典型代表和精神领袖,一句“园林潇洒可终身”成为此后士人的处事通理和生活理想。其园林实践在传达独特造园理念的同时,也为我们勾勒出唐代寒门士族园林的整体风貌。本文重在探究白居易在“园林”方面的造诣,力求还原一个真实的造园艺术家的形象。全篇分为上下两部分:内容上,上篇主要以《白居易全集》、《全唐诗文》、《白居易生活系年》、《新旧唐书》、《唐两京城坊考》及地方志等其他涉及园林或白居易个人内容的古文献为背景,梳理、提取其中的园林因子。试图解析唐人的造园背景与园林在文人生活中所充当的角色;下篇针对白居易的造园思想、造园实践、审美倾向进行细节的探讨。总结白居易缔造园林艺术的经验与心得。方法上,上篇重引述、考证;下篇重分析、类举和对比。论文第一章叙述了课题的缘起,对本文提及的关键词汇做了内涵明晰,并强调了课题研究的必要性。第二章提取出白居易诗歌中所含的“园林”内容,重点在于对其园林诗中出现的诸家园林实例进行一一考证,为下文的进一步分析储备基础资料。第三章结合白居易的生平经历概括出文人的生命周期与“园林”的关联。第四章是上下篇的过渡章节。笔者在白居易园林诗文的字里行间提纳其对“园林”的独到见解,同时返照彼时的时代背景。重点在于从空间角度提出“园林”该有其更开阔的外沿,对学界普遍认同的中唐“壶天观”产生了怀疑,尝试重新选取一个更为准确的空间意象。第五章借日本平安时期,集中体现唐文化的造园专著《作庭记》重现白居易乃至中唐园林造景的真实面貌。第六章具体解说白氏园林在客体审美过程中所传达的“素之美”、“亭之美、“境之美”,将诗歌语言理论化。同时发现以“亭”的空间美学意象作为园林大小之辩的最终成果较为合适。第七章通过对白居易造园实践的图形化获得其园林观的直观表达。最后部分,从白居易个人评价与其对园林的态度两方面对全篇进行总结。更多还原

【Abstract】 Is turning period in the development of Chinese classical garden art in the Tang dynasty,literati class actively participate in gardening activities for garden art into the profound cultural connotation,on the basis of the generated aesthetic view and the spatial cognition is the main content of its rheology.Bai Juyi as the Tang dynasty as the typical representative of intellectuals and spiritual leader," A natural and unrestrained life " landscape become to general principle of doing things and life ideal.Its unique landscape architecture practice in conveying the concept of landscape at the same time,also for us to draw the outline of the Tang dynasty rose from the cremation garden as a whole.This paper focuses on exploring Bai Juyi attainments in "landscape",makes every effort to restore the image of a real landscape artist.Total is divided into two parts: the content,redefines the "Bai Juyi Complete Works"," Poetry in Tang ","Bai Juyi Age Confirming of Life"," Tang Records"," City of Changan and Luoyang Test in Tang Dynasty " and other local history involves gardens or Bai Juyi personal content of the ancient as the background,combed,extraction factor of landscape architecture.Trying to parse garden landscape background of the Tang dynasty and in civilian life roles.Next in Bai Juyi’s gardening ideas,gardening practices,aesthetic tendency for detail discussion.Summarizes the experience and knowledge of Bai Juyi creates garden art.Method,on the last quote,textual research;The next analysis and contrast,class.Paper the origin of the first chapter describes the topic of this article referred to the key words to do the connotation is clear,and emphasizes the necessity of the research.The second chapter extracted Bai Juyi poetry contained in the content of the "garden",the emphasis is on the landscape poems in the home garden examples of textual research,basic data for further analysis of below reserves.The third chapter combination of Bai Juyi’s life experience sum up the life cycle of the literati in connection with the "garden".The fourth chapter is the handover of the transition section.The author in Bai Juyi landscape poetry words carry their original ideas of "garden",the time background of penetration was at the same time.Focuses on from the Angle of space put forward the "garden" has its wider outside edge,the generally recognized by the academic circles of the Tang dynasty "pot" doubt,try to choose a more accurate spatial imagery.Chapter 5 for the peace period,the concentrated reflection of the journal of gardening book’s back as a court,Bai Juyi and even in the real appearance of Tang landscape gardening.The sixth chapter specific explanation Bai landscape in the process of the object of aesthetic conveys "beauty","the beauty of the pavilion," the beauty of land ",will be the language of poetry theoretical.At the same time found to "stall" space aesthetic imagery as garden suitable outcomes.The debate about the size of the seventh chapter of Bai Juyi in garden-making practice view of the garden of intuitive graphical expression.The last part,from Bai Juyi personal assessment and its attitude towards landscape two aspects to summarize as a whole.更多还原