【作者】 田园；

【导师】 施斌；

【作者基本信息】 吉林大学 ， 广播电视（专业学位）， 2019， 硕士

【摘要】 中国历史文化博大精深,非物质文化遗产更是我们悠久历史的真实见证。然而随着现代化进程的加快,非物质文化遗产的发展和生存却受到了严峻的冲击。在东北地区,满族民间传统手工艺众多,满绣便是其中颇具代表性的民间艺术之一,也是国家级第二批非物质文化遗产。有着300多年历史的满绣虽不及苏绣、湘绣等广为人知,但从发展之初到如今,满绣一直广泛使用于满族人民的日常生活之中,并常常根据满族喜爱的传说故事或寓意圆满的图案进行缝制,有着强烈的民族风格和东北地域特色,如今的满绣经过时间的雕刻在保留其原本特色的同时更增添了艺术价值,博采众长、观赏与实用并举,甚至能以精美的满绣再现经典绘画或摄影作品。本作品以第三代岫岩民间满绣非遗传承人吴丽梅为主人公,讲述她与满绣的故事。吴丽梅从小跟随奶奶学习刺绣,而后跟随国家非遗传人学习刺绣20余年,2012年在杭州开办满绣展览,深受好评。刺绣和她有着解不开的缘分,一直伴随她50多年直到今天。本作品通过吴丽梅和满绣的故事,以小见大,让更多的人关注满绣,关注非遗,让更多的焦点聚集起来更好的保护中国传统的技艺,更好的体现传承的意义。基于国家对于非物质文化遗产的保护政策下,以“扫盲”方式进行入手,让大众了解满绣并非传统印象中的实用性或平民化的特点,凸显满绣的时代感。以平民主人公吴丽梅的视角进行带入,始终将人物与主旨的融合贯穿始终,将满绣艺术与文化关系的进行深化,展现传承人为了传承满绣做的努力引发大众对于传承中国传统技艺的思考。更多还原

【Abstract】 China’s history and culture are extensive and profound,and intangible cultural heritage is the true witness of our long history.However,with the acceleration of modernization,the development and survival of intangible cultural heritage has been severely impacted.Manchu embroidery is one of the most representative folk arts in Northeast China.It is also the second batch of intangible cultural heritage at the national level.Although Man embroidery with a history of over 300 years is not as well known as Su embroidery and Hunan embroidery,it has been widely used in the daily life of the Manchu people from the beginning of its development to now,and is often sewn according to the legends or patterns with perfect moral meaning,which has a strong national style and northeastern regional characteristics.Now the carving of Man embroidery after time is preserving its origin.At the same time,this feature also adds artistic value.It combines the advantages of all walks of life,appreciation and practicality.It can even reproduce classical paintings or photographs with exquisite embroidery.This work takes Wu Limei,the inheritor of the third generation Xiuyan folk embroidery,as the hero,telling the story of Wu Limei and Man Embroidery.Wu Limei learned embroidery from her grandmother when she was young,and then followed the non-hereditary people of the country for more than 20 years.In 2012,she opened a full embroidery exhibition in Hangzhou,which was well received.Embroidery and she have an inseparable fate,has been accompanied by her more than 50 years to this day.Through the stories of Wu Limei and Man Embroidery,this work makes more people pay attention to Man Embroidery and non-relics,so that more focus can be gathered to better protect traditional Chinese skills and better reflect the significance of inheritance.Based on the protection policy of the intangible cultural heritage of the state,starting with "literacy" approach,let the public understand that full embroidery is not a practical or civilian feature in the traditional impression,highlighting the sense of the times full embroidery.From the perspective of Wu Limei,the hero of the common people,the integration of characters and themes is always carried through,the relationship between Man embroidery art and culture is deepened,and the efforts made by the inheritors to inherit Man embroidery are shown,which arouses the public’s thinking on inheriting traditional Chinese skills.更多还原