【作者】 齐欣；

【导师】 李振；

【作者基本信息】 吉林大学 ， 中国现当代文学， 2019， 硕士

【摘要】 郭沫若先生说文艺是发明的事业,批评是发现的事业。[1]文艺是在无之中创造出有,批评是在砂中寻出金。[2]文艺创作从未终止,却少有人批评,使得至少半数的作家偏重“量”,迎合大众,却忽视了“质”的重要性,伴随着社会对文学变革的需要,批评数量增加却多缘于利益目的,出发点并非是使文学本身受益,用王安忆的话来讲——批判人性从故意变成了乐趣。因此,以真正关注文学作品社会意义与召唤赤诚之心为目的出发,创造有利于文艺发展新方向的批评在当今社会势在必行,70后作家群体作为最热门的关注对象理应受到足够的关注和重视。然而逐渐成为文坛的“中坚代”力量的70后,却不可避免的在创作中走向趋同。底层叙事、人性剖析、城乡矛盾屡见不鲜,许多作家在获奖的快感中丧失创新性,在自己定好的轨迹上越走越远,以大众的喜闻乐见作为衡量成功的标尺,文学逐渐失去其独特性和深刻性。在当代文坛,很难见到五六十年代如莫言、苏童等代表性作家个体,但田耳却在70后作家中表现的特立独行。李敬泽说他是一只文字世界里狡猾的狐狸,几乎所有70后作家都有自己的固定风格,个性鲜明,而田耳却没有,任谁也无法预测他下一次的创作,这也正是他的独特之处。田耳凭借中篇小说《一个人张灯结彩》获得了鲁迅文学奖。同时,由于拥有纯文学中难得的“好看”特点.他的作品逐渐进入大众读者的视野[3]。相关研究络绎不绝,但具有综述性质的创作论只有三篇,以其中篇、长篇和短篇作为分类,其他学术研究均以期刊形式出现,对于整体探索田耳创作内容和风格仍有研究空间可寻。本文以田耳最新长篇力作《下落不明》为线索,先造一座佴城,了解田耳创作的精神乐园,整体把握其独特的乡土意识;再破一桩案件,理解田耳最擅长的破案写作模式;在江湖中探寻田耳的“道义”概念与“老大”群像;在《下落不明》的作品细读中体会田耳文学创作的归途;全文整体探索田耳创作中独一无二的“无赖”气质,对田耳的创作内容和写作风格有新的把握。更多还原

【Abstract】 Mr.Guo moruo said literature and art are the cause of invention,while criticism is the cause of discovery.Literature and art are created from nothing,and criticism is seeking gold in the sand.Literary and artistic creation never end,but less criticism,making at least half of the writers lay particular stress on "quantity",cater to the public,but ignore the importance of "quality",along with the social changes in the demand for literature,criticism population is much more due to the interests of the purpose,not from enhance the level of literature itself,in Wang anyi’s words-criticism of human nature from deliberately turned out to be fun.Today,the post-70 s writers have become the "backbone generation" in the literary world,but inevitably in the creation of convergence.Understratum narration,human anatomy,the contradiction between urban and rural areas,such as loss of many writers in the winning pleasure innovative,in his the scheduled track more walk more far,to the public as a yardstick to measure success,appeal to a literature gradually lose its uniqueness and profundity of the charm.In the contemporary literary world,it is difficult to see the fifties and sixties representative writers such as Mo Yan and Su Tong individuals,but Tian Er performance in the 70 s writers alone.Li Jingze said that he was a sly fox in the world of writing.Almost all the post-70 s writers had their own fixed style and distinct personality,but Tian Er did not.Tian Er officially entered the people’s field of vision after winning the Lu Xun Literature Award with "One Person’s Lantern Festival".There are only three related works for Tian Er creation,and there are only distinguish his works as the long articles,the novella and the short articles.Most of the research works In the form of journals,there is still have research space on the overall exploration of Tian Er’s creative content and style.This article takes Tian Er’s latest long masterpiece,"The whereabouts are unknown" as a clue,first builds a city,understands the spiritual paradise created by Tian Er,and grasps its unique local consciousness as a whole;then breaks a case and understands the best case writing of Tian Er.In the rivers and lakes,explore the "moral" concept and the "boss" group image of Tian Er;experience the return of Tian Er’s literary creation in the close reading of the works of "The whereabouts areunknown";the whole article explores the unique "rogue" temperament in Tian Er’s creation,have a new grasp of Tian Er’s creative content and writing style.更多还原