【作者】 邢文静；

【导师】 韩江洪；

【作者基本信息】 合肥工业大学 ， 外国语言学及应用语言学， 2018， 硕士

【摘要】 《中国文学》(英文版)创刊于1951年,是建国初期国内唯一一份对外译介中国文学、文化的官方刊物。至文革前,它对外译介女性文学作品超过二十部,在扩大中国女性文学的影响力与传播现当代文学经典的过程中意义非凡。学界对《中国文学》(1951-1966)女性文学的现有研究集中在女性意识与女性形象研究,探讨其语言风格的论文非常少,因此对女性文学的语言风格及其再现进行研究,空间很大。本论文以《中国文学》(1951-1966)译介的女性文学作品为研究对象,探讨其语言风格的再现情况,主要回答以下三个问题:《中国文学》(1951-1966)女性文学作品的语言风格是什么?与源语文本相比,译语文本语言风格有何变化?出现变化的原因是什么?对以上问题的探讨与回答,对丰富《中国文学》(1951-1966)女性文学作品的英译研究具有积极意义。本论文以黎运汉《汉语风格学》为依托,同时借助杨振兰的汉语词彩学理论,对《中国文学》(1951-1966)女性文学作品的语言风格进行分析。首先由作品题材与女作家写作现实状况分析明确其语言风格为柔婉,之后从词汇(柔和舒徐的动词、清新自然的名词、清新秀丽的形容词)、句子(长句与疑问句)及修辞(明喻与拟人)三种风格物质标记考察其在翻译当中的再现情况,从而得到《中国文学》(1951-1966)女性文学作品语言风格在英译本中的变化,最后从语言与审美差异、译者身份、外宣翻译要求、以及读者接受方面进行动因分析。研究发现,源语文本中29.07%的标志性词汇未能完全在译本中传达;句子方面,源语文本中,长句占比79.03%,而译本中长句仅占31.11%,另有19.62%的疑问句未能在译本中忠实译出;源语文本中的标志性修辞也有39.26%未能译出或被转化。因此,《中国文学》(1951-1966)当中女性文学柔婉的语言风格在译文中被弱化。其弱化的原因主要是:汉英两种语言与审美的内在差异;译者受自身文化身份、翻译习惯与国家外宣思想、政策影响,并考虑到西方读者的接受能力,而在翻译《中国文学》(1951-1966)中的女性文学时,对语言风格进行了有意的弱化。更多还原

【Abstract】 Beginning publication in 1951,Chinese Literature was the only official journal that systematically translated and introduced Chinese literary works and culture to western world after the foundation of People’s Republic of China.Before the Cultural Revolution,more than twenty pieces of female literature were translated to western readers,which played an important role in enhancing the influence of Chinese female literature and disseminating Chinese classics and modern literary works.However,the existing translation studies on female literature in Chinese Literature(1951-1966)mainly focused on the female images and translation strategies.The study space of language style on the female literature is quite large and meaningful.In addition,an elaborative combing shows that the present studies on language style mostly concentrate on a certain writer or a certain work,as for the reproduction of language style of a number of female literature that were created and translated in the same period,we haven’t seen.Therefore,this thesis sorts out the female literature in Chinese Literature(1951-1966)to study the reproduction of language style in its English version,aiming to answer the following three questions: what is the language style of the female literature in Chinese Literature(1951-1966)in source language? What is the change of the language style of the female literature in target texts and what are the reasons for the change? Answering these three questions has positive meaning in enriching the translation studies on the female literature on Chinese Literature(1951-1966).Based on the Chinese Stylistics of Li Yunhan and the Word Color Theory of Yang Zhenlan,the thesis analyzes the themes of the chosen female literature and the creation background of the female writers,finding that the language style of the source texts of female literature in Chinese Literature(1951-1966)is gentle.The thesis studies the reproduction of the language style of female literature in Chinese Literature(1951-1966)in target texts through mild verbs,fresh nouns and delicate adjectives in vocabularyaspect,long sentence and question sentence in sentence aspect as well as simile and personification in rhetoric aspect,and analyzes the reasons from linguistic and aesthetic differences,the requirements of external publicity translation,the identity of translators and readers’ acceptance.The study shows that in vocabulary aspect,29.07% of the words are not equivalently translated into the target texts.In sentence aspect,the long sentence in the source texts takes the proportion of 79.03%,while only takes the proportion of 31.11% in the target texts.19.62% of question sentences do not have equivalent translation in the target texts.As for rhetoric devices,39.26% of them are not equivalently translated.As a result,the gentle language style of female literature in Chinese Literature(1951-1966)in the source language is weakened in the target language.The reasons of the weakening are mainly the inherent differences between Chinese and English and the translators of Chinese Literature(1951-1966)who intentionally weakened the language style in consideration of the external publicity policy,the cultural identities and the usual practice of translation and the reception of western readers towards Chinese literary works.更多还原