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图式理论视域下的张籍诗词意境的文学图式研究

Research on Literary Schema of the Artistic Conception in Zhang Ji’s Poetry from the Perspective of Schema Theory

【作者】 李璐

【导师】 邹智勇;

【作者基本信息】 武汉理工大学 , 外国语言文学, 2016, 硕士

【摘要】 认知诗学是认知语言学与文学相结合而产生的新学科,其理论基础来源于认知语言学和认知心理学。认知诗学把这些认知理论应用于文学文本的研究和分析中,并在西方诗歌领域取得了辉煌成果。中国古典诗词情景交融,虚实相生,是诗人抒发情怀的主要体裁,几千年来代代传承,是中国文化乃至世界文化的瑰宝。中国古典诗词在不同时期的研究重点有所不同,从开始研究诗词的结构和修辞到现在研究诗歌的意境和意象。目前国内对古典诗词翻译,修辞手法,音律节奏等方面的研究非常丰富,但很少有从认知学角度分析诗歌中的意境及其产生过程的研究。认知诗学是一种当代西方诗学新理论,将中国古典诗词和西方诗学理论结合是实现西方诗学本土化研究的尝试。张籍是中国唐代著名诗人,因其诗歌的现实主义诗风而被视为杜甫的继承人。张籍的乐府诗艺术成就很高,他善用白描手法细致刻画各种人物形象。其诗歌通俗平易之中又见委婉深挚,对晚唐诗歌影响较大,值得研究。图式理论是认知语言学和认知心理学的一个重要理论,图式是指系统地存储于人类大脑的关于过去知识及经验的总和,为人们认识新事物提供相应的参照。文学也同样具有图式,文学图式是指诗歌中的意象在人们大脑中所形成的图式,是诗歌意境的来源。本文从文学图式角度研究唐代诗人张籍诗歌中意境传递的过程,重点介绍三种文学图式运作范式,文学图式加强,文学图式更新及文学图式重构,并将这三种文学图式运作范式运用到张籍诗歌作品的分析中。从而对图式理论有更好的应用以及对张籍诗歌有更深刻的理解。将认知诗学的图式理论运用于中国古典诗歌的研究是一种新的尝试,为准确把握诗歌意境开辟了另一条新途径,具有重要的实践意义。

【Abstract】 Cognitive poetics is a new subject created on the basis of the combination of cognitive linguistics and literature.Its theoretical bases stem from cognitive linguistics and cognitive psychology.Having applied these cognitive theories to the research and the analysis of literary works,the cognitive poetics has achieved great success in the western poetry circle.As a fusion of feelings and natural settings and a combination of nihility and reality,Chinese classical poetry is a major genre for poets to express emotions and sentiments.After thousand years of inheritance,Chinese classical poetry is undoubtedly a precious treasure of the Chinese culture and even of the world culture.The research emphasis of Chinese classical poetry varies in different period,from structure and rhetoric to image and artistic conception.At present,domestic studies of translation,rhetoric,rhythm of the classical poetry are fairly prosperous,but few studies have been carried out to research on the artistic conception of the poems and its producing process from the perspective of cognitive science.Cognitive poetics is a new emerging theory of modern western poetics and the integration of Chinese classical poetry and western poetry theory is an attempt to achieve the localization of western poetics theory.Zhang Ji is a well-known poet of the Tang Dynasty and he is considered as the inheritor of Du Fu because of the realism expressed in his poems.Zhang Ji’s Yuefu poetry is highly regarded and he is an expert in depicting various characters through concise words.Zhang Ji’s poetry is an integration of succinct words and profound connotation,which exerts a far-reaching influence on poets in the Late Tang Dynasty.Therefore,his poetry deserves an in-depth study.This thesis will make research on the literary schema of the artistic conception in Zhang Ji’s poetry from the perspective of schema theory.Schema refers to the systematic knowledge and experience stored in human mind,offering the corresponding reference to understand the new things.It is noted that schema also exists in literature.As the source of the artistic conception,literary schema is a kind of constructive schema forming in human mind and originates from the images.The thesis will mainly focus on three types of schema operation modes: literary reinforcement,literature adjustment and schema restructuring,and apply these three operation modes to the analysis of Zhang Ji’s poetry.The application of schema theory to the research on Chinese classical poetry is an innovation,offering a new path to grasp the accurate artistic conception of the poems,which is of momentous practical significance.

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