【作者】 斯琴高娃；

【导师】 包金刚；

【作者基本信息】 内蒙古师范大学 ， 中国少数民族语言文学， 2018， 硕士

【摘要】 本文由序论、正文(两章)、结语等三部分组成。序论部分主要介绍了选题目的,研究意义,研究概况和研究方法。第一部分首先论述了《喇嘛题材科尔沁叙事民歌》的历史文化根源。历史文化根源主要表现在清代汉族人口的迁移,民主主义,佛教传播及胡仁乌力格尔等方面。其次,从幽默、悲观及追求自由恋爱等几个方面论述了喇嘛题材科尔沁叙事民歌的主要内容。第二部分研究了《喇嘛题材科尔沁叙事民歌》的艺术特点。首先,从喇嘛形象和平民形象两个方面分析了《喇嘛题材科尔沁叙事民歌》的人物特点。其次,通过混和语、借词的角度分析其语言的特点,并从对比、比喻、夸张、反复、递进等几个方面分析了它的修辞特点。结论部分,从理论角度总结了该论文中所述的内容和观点。更多还原

【Abstract】 The papers consist of following groups that Introduction part,The First chapter,The second chapter,The result and The references.For introduction part introduced the purpose of the study subject,function,research situation and the research method.The first chapter talked about the Lamas’ Horqin story folk songs of history and culture source and content.For history and culture source mainly consider that the Mongolian was influenced by the religion and political unite of the Qing Dynasty.In content mainly studied about three kinds of contents that are humorous content,sad and dreary content and the pursuit of free love contents.The second chapter talked about Lamas’ Horqin story folk songs’ artistic characteristic and divide into role play and language modifier feature to study.In role play feature divide into Lama’s play and the populace play,in language feature divide into mix language and borrowing language,in modifier method divide into compare comparison,hyperbole and parallelism to study.At the result part add detaild research to the main three parts and general theoretical research.更多还原