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日本动物题材电影的民族化叙事研究

Nationalized Narrative Research on Japanese Animal Movies

【作者】 王燕

【导师】 罗勤;

【作者基本信息】 四川师范大学 , 戏剧与影视学, 2018, 硕士

【摘要】 动物题材电影是近年来迅速崛起的一种电影形式,动物作为电影的主要表现对象,无论是在电影的叙事还是视觉呈现上都具有另类特色,具有极高的电影审美价值和深厚的文化内涵。日本动物题材电影凭借特有的民族文化情结,在从传统走向现代的道路上不断沿承日本电影本土化民族叙事风格,电影人秉承一贯的以影像来洞悉深层的人性,凭借日本民族文化的忧郁和感伤的基调,使得日本动物题材电影在国际上站稳脚跟。本文将从叙事的角度入手,在全面分析日本动物题材电影的基础上,探析其在民族化语境中的影视叙事特色,旨在总结出日本动物题材电影的民族化叙事,以期对中国动物题材电影的发展提供可借鉴之处。本文从横向和纵向两个维度出发,分三大部分对日本动物题材电影以及电影的叙事进行全方位的研究。首先本文从纵向维度通过对日本动物题材电影发展历史及其动物形象变迁的梳理,探究日本动物题材电影内在的文化脉络和时代精神;其次从横向维度,以叙事学的理论为依托,参照美、法两国的动物题材电影的叙事风格,分析总结出日本动物题材电影的叙事特色,探究日本动物题材电影的民族化叙事及其文化意义。第一部分主要结合绪论中梳理出的日本动物题材电影的发展史以及独特的社会民族文化背景,分析总结出日本动物题材电影人与自然的和谐、生命与尊严、缺失与寻找、回归与救赎五个具有东方意蕴式的叙事主题。第二部分主要从电影叙事角度出发,从叙事风格、叙事模式、叙事时空几个方面对日本动物题材电影的叙事特征进行分析,着重分析这些特征在充分表现叙事主题的同时如何体现其自身的叙事特色。第三部分从日本民族性格对叙事主题的影响,民族审美对叙事结构的影响以及民族文化对叙事风格的影响方面体现日本动物题材电影的民族化叙事,探讨出日本动物题材电影的叙事与日本民族特色相辅相成的关系。

【Abstract】 Animal-themed movies are a form of film that has rapidly emerged in recent years.Animals,as the main performance objects of movies,have unique features both in the narrative and visual presentation of films,and have extremely high aesthetic values and profound cultural connotations.Japanese animal-themed movies rely on unique national cultural complexes and continue to inherit the national narrative style of Japanese films on the road from tradition to modernity.Filmmakers consistently pursue the deep understanding of human nature through images and rely on the melancholy of Japanese national culture.Sentimental tone has made Japanese animal-animated movies gain a firm foothold internationally.This article will start from the perspective of narrative and analyze the characteristics of film and television narration in the context of nationalization on the basis of a comprehensive analysis of Japanese animal-themed films,aiming at summing up the nationalized narration of Japanese animal-themed movies,with a view to the theme of Chinese animals.The development of the movie offers lessons.This article starts from two dimensions,horizontal and vertical,and divides the three parts into a comprehensive study of the narration of Japanese animal themes and movies.First of all,from the vertical dimension,this article explores the cultural history and spirit of the Japanese animal themes through the history of the development of animal themes and the changes of animal images in Japan;secondly,from the horizontal dimension,based on the theory of narratology,with reference to the United States,The narrative style of the animal-themed movies in France and the United States analyzed and summarized the narrative features of the Japanese animal-themed films,and explored the nationalized narrative and cultural significance of the Japanese animal-themed films.The first part is mainly based on the development history of Japanese animal-themed films and the unique social and ethnic cultural background combed out in the introduction.It also analyzes and summarizes the harmony,life and dignity,lack and search,regression and salvation of Japanese animal theme film people and nature.There is a oriental narrative narrative theme.The second part mainly analyzes the narrative features of Japanese animal themes from narrative style,narrative mode,and narrative spacetime from the perspective of movie narratives.It focuses on how these features embody the narrative of the narrative when they fully express the narrative theme.Features.The third part reflects the nationalized narrative of the Japanese animal themes from the influence of the Japanese national character on the narrative theme,the influence of the national aesthetic on the narrative structure and the influence of the national culture on the narrative style,and explores the narrative of the Japanese animal themes and the Japanese nation.Features complement each other.

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