【作者】 王慧；

【导师】 安秀；

【作者基本信息】 天津科技大学 ， 艺术硕士（全日制）（专业学位）， 2017， 硕士

【摘要】 什么是多元化的时代?信息时代就是一个多元化时代。多元化发展,多角度的思维方式自然也包括中国家具市场的发展,要考虑到简约设计思想所创造的时代气息,流行时尚和浪漫氛围与目前经济快速发展、人们品味的提高及追求形成互动。并且,美学观念一直是新中式家具多遵循的,运用现代目前拥有的材料和工艺水平,很好的诠释出中国传统文化的精髓,并且设计出拥有独特气质的、具有明显的时代性的作品,得到广大消费者的喜爱。但是我国目前的家具市场生产开发环节是比较薄弱的,照搬拼凑的现象特别严重,缺乏自己的设计理念。大部分家具的生产都是依据现有的设计进行简单的改造,换汤不换药,家具造型单一、产品的文化含量极低、产品的使用寿命也在急剧下降等都是目前所能直观看到的缺点。因此简约设计在中式家具中的融合是时代进步的必然,这会在我们的生活展现出来。新中式家具中应用简约设计思想作为出发点,运用分析、举例、归纳等方法,首先对中国新中式家具进行系统的研究,研究包括它的整体造型、装饰风格及结构构造,发现中国传统元素中广泛存在的特点。明确知道传统家具的优势,通过对传统造型、装饰、结构进行简化再加上再设计,这样反复得到的元素运用在新中式家具的设计中,然后分析出新中式家具设计的重要影响因素。因为简约不仅仅是国外先行,简约在我国的历史文化上也是有一定的体现的,所以需要的是保留原有的文化精髓继而加入新的元素。分析出简约主义的各大重要元素,设计出中式家具的整体框架,把简约主义的色彩元素、材质元素、线条等元素很好的融入其中。重点是解决了中式家具现有的厚重繁琐问题的前提下,更加要以中国传统文化为主,做好“古为今用,洋为今用”。更好的做到优势放大,缺点去除,创新设计,设计这几大问题的解决直接对家具简化设计和工业化生产起到了主导作用。新中式风格的家具与现在盛行的简约主义相结合需要以中国元素符号为切入点。西方简约主义和中国传统文化相结合,必须找到主要和次要,这样才能把握住两者的协调点。将两者完美结合,开拓出最新的一种设计理念,既有中国式的古朴、高贵、典雅还会拥有西方的简约、时尚、休闲。这直接就大大的加强了这个产品市场投入的竞争力。并且这个不仅仅是一个产品的产生过程,而是一个创新理念的产生。我们不仅仅可以做到中国传统文化与现代简约的结合,还有更多种可能,这只是一种。当然目前我们仅仅希望可以围绕这一思想探索出实际可行的设计和生产方式,为以后发明出更多具有民族性、简约型、原创性的家具作出有益的尝试。更多还原

【Abstract】 The time of information is a diversified time.The development of Chinese furniture should be thought in thousand ways, and designed in many faceted. Learning from the history, the idea of concise design which open up the age breath, fashion and romance interacts with the fast development of economic, people’s increasing art taste and individuate pursuit. And the furniture with Chinese Neo-classicism, which observes the Chinese traditional aesthetic rules, made of new materials by modern technology, showing the traditional cultural marrow, makes themselves have a elegance feature and be welcome by people. However, presently, the furniture design is relatively weak. Most of them are copied and lack of the original design ideas in China. The design of furniture with Chinese style with a neoclassic trend, fuether more, generally used the traditional or abroad pictures modified a little. And the furniture is produced by semi- handwork. The modeling adornment and structure are relatively complex and lack of property rights, culture and productivity. The products are eliminated through competition. So the simple design plays an important role in the furniture with Chinese Neo-classicism.This paper begins with the application of simple design in the furniture with Chinese Neo-classicism. The author of this thesis firstly systematically researches the modeling adornment and structure of Chinese traditional furniture to find the order, symbolism and the insignia feature which commonly exist in the Chinese traditional culture. Then he improves them and uses them in the furniture with Chinese Neo-classicism design. In the last, the author analyzes the design of the furniture with Chinese Neo-classicism via the design examples and cases opened up. This thesis mainly resolves the problems which that the simple design does not be applied freely and the products are produced large-scale because of cumbersome modeling, complex adornment and tenon joint. The author expounds the special design idea of the furniture with Chinese Neo-classicism, explores a new method to produce furniture, which could protects the environment and the rare wood,makes the furniture have the real Chinese feature and units the pattern and function through combining western simple design and Chinese traditional culture. The authors has explored a practical design and produce method of the furniture with Chinese Neo-classicism on the basis of simple design and the unit of Chinese traditional culture and the special modeling,structure improved and modern mechanical craft, which benefits the national, simple and original furniture design.更多还原