【作者】 张荣；

【导师】 叶文举；

【作者基本信息】 安徽师范大学 ， 中国古代文学， 2017， 硕士

【摘要】 服饰从其产生之日起,就包含了文化的显性之义,反映着当时社会的人文、地理、经济等多方面的情况。而《诗经》作为我国第一部古典诗歌总集,除了多识于鸟兽草木之名外,所涉服饰名物更是其一大特色。大量的服饰描写,很好的为我们反映了西周初年至春秋中叶服饰与社会文化之间的密切联系。此外,《诗经》中的服饰描写,在展现人物的复杂形象之外,同时也在传达美好的情思。因此,本文主要将服饰与文学关联,从描写角度来探究《诗经》服饰的具体内涵,以期深刻的了解当时周朝人们的生活形态、审美要求以及价值判断等内容。本文主要从五个方面来具体展开。绪论主要探讨了《诗经》服饰描写研究的价值与方法,同时对“服饰”研究作了较为详细的界定以及对以往学术研究的一个简单回顾。第一章主要介绍服饰被描写的具体概况,即从形制、颜色及图案等三部分来厘清《诗经》中服饰描写的各个方面,以此明确文章的研究范围。第二章则主要从服饰描写的区域特征及描写方式两方面来探究,《诗经》中代表十五国风的民歌,无论是从其代表的区域看,还是从其描写的内容来看,无不体现出了浓厚的地域文化色彩。因此区域特征将着重考察不同地理环境,风俗习惯下的《诗经》服饰描写的不同特点。文学是一种描写的艺术,《诗经》作为我国文化遗产里的珍宝,其描写方式也是极具有艺术效果。第三章主要从《诗经》中服饰描写的文学功能和文化功能两方面来进行具体介绍。文学功能拟从符号功能,抒情功能及美刺功能三个层面去进行讨论。文化功能主要表现为礼仪功能,“礼乐”文化在周朝扮演着重要的角色,而服饰作为实现“周礼”的重要媒介和表现形式,自然与“周礼”有着莫大的关联,因此本节从这里入手,采用文本解读与历史文献相结合的方法,去逐一介绍各种礼仪下的服饰所表现的不同功能。第四章则将《诗经》中的服饰描写纳入到跟其他文学作品中服饰现象描写的比较中进行研究。《楚辞》中的服饰展现的是“香草美人”的文学内蕴及屈原人格的精神气质,汉乐府中的服饰更多的是表现出一种娱乐化和审美化的倾向,而《诗经》中的服饰所展现的是一种朴素之美,其内涵更多承载着人的身份、地位和等级等特殊意义。因此比较分析主要从这里入手,去探究《诗经》服饰描写所独有的文化意蕴。更多还原

【Abstract】 Clothing from the date of its birth, it contains the dominant meaning of culture, reflecting the social, human, geographical, economic and other aspects of the situation. The Book of Songs as China’s first collection of classical poetry, in addition to know the name of the birds and animals, the clothing name is a major feature. A lot of clothing description reflect the close ties of Western Zhou Dynasty early clothing and social culture . In addition, the description of clothing, displaying the complex image of the characters, but also conveying the beautiful feelings. Therefore, this article mainly related to the relationship between dress and literature, from the perspective of the description to understand the Zhou Dynasty people’s life form, aesthetic requirements and value judgments and so on.This text launches from five parts. The introduction mainly discusses the value and method of the study of the dress in the Book of Songs, and makes a detailed definition of the study of "dress" and a brief review of the previous academic research.The first chapter mainly introduces the specific outline of the dress, that is, from the shape, color and pattern of three parts to clarify the Book of Songs, in order to clarify the scope of the article.The second chapter is mainly from the description of the regional characteristics and description of the way to explore. The fifteen national songs, whether from the represent of the region, or from the content, all reflect a strong regional cultural color. So the regional characteristics will focus on different geographical environment and customs to description of the different characteristics of clothing. Literature is a description of the art, the Book of Songs as a treasure of our cultural heritage, the description also has artistic effect.The third chapter mainly introduces the literary function and the cultural function of the dress in the Book of Songs. The function of literature is to be discussed from three aspects: symbolic function, lyrical function and beauty thorn function. Cultural functions mainly for the ritual function, ”ritual music” culture plays an important role in the Zhou Dynasty, and clothing as the realization of "Zhou" important media and manifestations, naturally has a great association with “ritual music”,so the section use the text interpretation and historical literature combined approach, one by one to introduce the various instruments under the performance of the different functions.The fourth chapter mainly compare the dress in the Book of Songs with the other literary works. The clothing of Chu Ci shows a kind of vanilla beauty, that connection the Qu Yuan’s personality .And the clothing of Han Yue Fu is more to show a kind of entertainment and aesthetic tendencies. But the clothing of the Book of Songs is a simple beauty, and which more connect the person’s identity, status, grade and other special significance. So the analyze mainly from here to explore the unique cultural implication in the Book of Songs.更多还原