晃动的影像与坚定的探索

【作者】 王琪；

【导师】 于文秀；

【作者基本信息】 黑龙江大学 ， 中国现当代文学， 2017， 硕士

【摘要】 作为夹缝中成长的六十年代人,第六代导演群体是“既不会高唱理想主义的挽歌,更难以认同消费主义的现实”的一代,却坚持“作者电影”的独立表达。初登影坛,便面临国内电影体制加强与市场经济飞速发展的大环境,加之全球化背景,使得第六代导演只能在市场与政治的双重夹击中求得生存。但也得益于八、九十年代前所未有的开放状态,第六代导演能够充分吸收外来电影思潮与资源,他们受到意大利新现实主义与法国新浪潮的影响,纷纷创作具有个人特色和人文关怀的影片。娄烨作为第六代导演的代表人物,他的九部作品都有着明显的个人风格,除了上述外在因素,还与娄烨自身的成长经历和精神气质有关。从第一部作品开始,娄烨始终在创作中,坚持影像、声音、叙事等艺术探索,娄烨影片最显著的美学风格就是手持摄影,他只关注、纪录当下的现实社会,利用跟拍和偷拍创造出原生态的纪实感,执著于都市男女个体生存状态的描述,企图进入他们的细腻繁复的内心世界,传达出自己对电影的独特表达和对个体生命存在的人文关怀。此外,独特的声音系统、非线性的叙事结构、多样化的叙事视点也体现了娄烨对电影语言边界的探索。在商业电影浪潮下,娄烨对自由拍摄和独立制作的坚持显得弥足珍贵,为丰富电影市场尽了微薄之力。但也因影片表达过于小众,导致票房惨淡。因此娄烨也在努力求得艺术与市场的平衡,为艺术片独辟蹊径,并努力形成一条艺术电影的商业化渠道。更多还原

【Abstract】 As the growth of the sixties in the cracks,the sixth generation of director group is"will not sing the idealistic elegy,more difficult to agree with the reality of consumerism," the generation,but insisted on the independent expression of the film.As the growth of the sixties in the cracks,the sixth generation of director group is "will not sing the idealistic elegy,more difficult to agree with the reality of consumerism," the generation,but insisted on the independent expression of the film.At the beginning of the film,in domestic,they face film system to strengthen the rapid development of the market economy and the environment,combined with the background of globalization,making these directors only the market and political attack to survive.But also benefited from the eighties and nineties open society,these young directors to fully absorb the foreign resources,they are the new realism and the French new wave of influence,have created a personal and humane care film.Lou Ye as the representative of the sixth generation of the director,all of his films had a clear motivation,in addition to external factors,but also with Lou Ye’s own growth experience and spiritual temperament.From the first work began,Lou Ye always in the creation,adhere to the image,voice,narrative and other explorations,Lou Ye film is the most significant aesthetic style is hand-held photography,he only concerned about the record of the current real society,videotaping to create the original ecology of the documentary sense,dedicated to the city of men and women to describe the status of individual existence in an attempt to enter their delicate and complicated inner world,to convey their unique expression of the film and the existence of individual life,humanistic care.In addition,the unique sound,the non-linear narrative structure,the diversified narrative view also embodies Lou Ye’s exploration of the boundary of the film language.In the commercial market,Lou Ye on the shooting freely and independent production of insistence are precious,rich for the film market to do the modest.However,the film can not attract few audiences so that producer can not make more money.Therefore Lou Ye is also trying to get the balance of art and the market,for the art film inventive,and strive to make a commercial film in commercial channels.更多还原