【作者】 李超；

【导师】 张其凤；

【作者基本信息】 南京航空航天大学 ， 艺术硕士（专业学位）， 2016， 硕士

【摘要】 张照是清代跨越康雍乾三朝的书家,其书法为三朝帝王所重。篆书为康熙、雍正二帝所认可,楷书在乾隆初年被乾隆帝推为当朝书坛楷模,可谓清代乾隆初年之前,影响宫廷书风演变的重要词臣书家。本文试图对张照书法风格特征及成因做较为全面、具体的研究。首先介绍张照的生平与两任尚书的仕途生涯,以及他在书法,绘画,音律,戏剧各方面的艺术成就。其次,研究张照书法风格特征的形成过程。此章重点分析其书法学习是由董其昌临古墨迹作品入手,上追米芾、苏轼等宋四家及五代杨凝式,以及唐代颜真卿笔法,进而由唐入晋,上溯王羲之、钟繇的书学路径,从而形成其气魄雄浑、天骨开张的书法风格特征。再次,从张照的先天优势及严格的治学态度入手结合他“神理超妙,自然浑成”的书学思想,探讨形成其书法风格特征的内在因素。最后,综合考察康乾书坛风气、张照族亲为师以及交游三方面因素对其书风形成的影响,从而构成对其书风形成的外部因素的探究。通过以上几个方面的探讨,可以了解到张照是一位学古而不泥于古的清代书法大家,他既能写一手受帝王宠幸的馆阁体,又能在自我排遣时写一手天性罄露的艺术性作品。他既能娴熟地游走于多种书体如楷、行、草之中,又能在临创作品时,忽而体现出颜的厚重,忽而显示出米的跌宕纵肆,忽而呈现出赵的圆润华滋,忽而又展现出董的华丽秀美,这样一种兼善多能书家的风范。更多还原

【Abstract】 Zhang zhao’s across the Qing Kangxi Dynasty calligraphers, calligraphy three emperors of the weight. Seal Kangxi, Yongzheng two emperor recognized, regular script in the early years of Qianlong Emperor Qianlong dynasty calligraphy pushing for the model can be described as the Qing Dynasty Emperor Qianlong before the impact of the evolution of the court book Wind important word book home minister.This article attempts to Zhang zhao’s calligraphic style features and genesis do more comprehensive and specific research. First introduced Zhang zhao’s Book of Life and career two-term career, as well as his artistic achievements in calligraphy, painting, temperament, all aspects of theater.Secondly, the formation of Zhang zhao’s calligraphic style features. This chapter focuses on the calligraphy learning is to start from the ancient Dong Qichang temporary ink works on the chase Mi fu, Su shi and other four and five generations Song Yang ning shi, and the Tang Yan zhen qing strokes,and then from Tang Jin, Wang xi traced zhi, Zhong you’s book learning path, thus forming its verve vigorous calligraphy style characteristic bone day opened. Again, from Zhang zhao’s inherent advantages and strict scholarship start combined with his "divine reason super wonderful, natural muddy" book Thought discusses internal factors formed the calligraphy style features. Finally, a comprehensive study Kangqian calligraphy atmosphere, Zhang zhao’s pro-family as a teacher and Friends on three factors on the book wind formation, which constitutes explore external factors on its book wind formation.By discussing the above aspects, we can understand Zhang zhao’s is an old school without mud in ancient Qing Dynasty calligraphy everyone, both his hand written by the emperor patronize Hanlinyuan body, but also hand written at the time of self-distraction nature exhausted exposed artistic works. He can deftly walk on the body, such as a variety of books Kai, line, among the grass,but also in the temporary creations, sometimes reflecting the color of thick, suddenly showing ups vertical meters store, suddenly showing Zhao rounded Wordsworth, suddenly and exhibit Dong Hua Lixiu the United States, such a versatile calligrapher Kim Shin demeanor.更多还原