【作者】 张蕊；

【导师】 童龙超；

【作者基本信息】 西南大学 ， 中国现当代文学， 2016， 硕士

【摘要】 光未然,中国现当代著名诗人。他创作的《五月的鲜花》、《黄河大合唱》等抗战歌诗作为时代的经典,在抗战歌咏运动中广为流传,为抗日宣传动员起到了积极的推动作用。学术界至今尚没有对光未然抗战歌诗的专门研究,其歌诗创作与战时语境有何关系,其歌诗何以成为抗战歌咏运动的经典以及这些歌诗的审美特征与审美来源是什么等等,是本文想要探究的问题。本文绪论部分介绍光未然抗战歌诗的研究现状,从当下研究的不足出发,提出论文研究缘起及目的。第一章,从抗战歌诗诞生的历史背景出发,探求光未然“以诗为歌”的创作背景与创作概况,并且从歌诗创作的预期目的与传播影响角度出发,重新审视光未然抗战歌诗的创作成就。第二章与第三章则基于歌诗文体的独特性,分别从歌诗创作“歌性”与“诗性”的特征出发,探求光未然歌诗创作的音乐特色与诗性特征。首先,从配乐而歌的文体意识出发,探求光未然歌诗与音乐结合的形态,把握歌其诗创作的音乐坚守与音乐创新。其次,透过光未然歌诗的文学内蕴,把握其歌诗创作的诗性特征,深入分析歌诗中呈现的壮美歌诗意蕴与经典歌诗意象。第四章探讨光未然抗战歌诗的写作意图,指出其“革命诗人”的创作意识,同时表明这种写作意图也在某种程度上限制了其诗歌艺术的探索与创新。结语部分点明光未然的抗战歌诗是抗战语境中诗歌发展的重要组成,是具有特色的尝试。更多还原

【Abstract】 Guang Weiran(Zhang Guangnian), a famous poet in modern and contemporary China, wrote the singable poems such as Flowers in May, Yellow River Cantata, which were masterpieces in the singing movement in the Anti-Japanese War and had played a positive role in propaganda and mobilization. Up to now, there is few specialized research in academic field on Guang Weiran’s singable poems. This thesis aims to probe into what is the relationship between Guang Weiran’s creations and the context of the era of the Anti-Japanese War, why his singable poems became the classic songs in the singing movement, what formed the aesthetic characteristics of those poems, and where the aesthetic performance came from.For the deficiencies in the current research, the Introduction introduces Guang WeiRan’s singable poems in the Anti-Japanese War so as to put forward the reason and the aim of this thesis. Chapter 1, starting from his writing historical background of the Anti-Japanese War, his intended writing purpose to the great influence of these works, reviews Guang Weran’s writing tendency of “Taking poems as songs” and his remarkable achievements. Chapter 2 and Chapter 3, based on the special literary style, proceeding from his poems’ “singable” and “poetic” features respectively, try to explore the unique musical attributes and characteristics of Guang Weiran’s poetry. Firstly, the author sets off from stylistic awareness of poems to search the combination form of poetry and music and explores his musical persistence and innovation in his poetic creation. Secondly, through Guang Weiran’s literary connotation, the author grasps the poetic characteristics and probes into the magnificent implications and classic images in the poetic creation. Chapter 4 discusses the writing intention of Guang Weiran’s singable poems, pointing that his consciousness of “revolutionary poet”, to a certain extent, limits his poetry exploration and innovation. The Conclusion part makes it clear that the singable poems created by Guang Weiran are unique treasures in the Anti-Japanese War.更多还原