【作者】 张博；

【导师】 周亮；

【作者基本信息】 江南大学 ， 美术学， 2016， 硕士

【摘要】 元代是个特殊的时代,但也正是元代的特殊性成就了黄公望的艺术特色,以至于他被推为“元四家”之首,并引领了“文人画”的新风。研究黄公望及其作品《富春山居图》对我们今后的绘画理论和绘画实践有很大的指导意义。在特定的历史时期,每位画家艺术思想特征的形成,都会受到社会环境、家庭环境、教育环境等等多方面因素的影响,并且这些影响必然会通过绘画作品呈现给观众。因此论文第一章笔者从北宋董源、米芾、李成和南宋马远、夏圭绘画风格对黄公望绘画的影响；赵孟頫“作画贵有古意”“书法入画”艺术思想对黄公望绘画的影响；元代异族统治对黄公望绘画风格的影响；地域的影响；作画材料的影响；黄公望自身修养这六个方面对影响黄公望艺术风格的成因进行了论述。论文第二章笔者着重论述了黄公望师古不泥古、师法自然,对景写生、提倡“士人家风”与笔墨韵味、“山水之法在乎随机应变”、重“理”又重“意趣”、 关于“邪、甜、俗、赖”的笔墨弊病这些绘画理论思想。论文第三章笔者对黄公望的《富春山居图》进行了分析,论述了《富春山居图》的历史遭际、不同仿本、构图、图中山峦树石的表现技法、用笔用墨以及图中所传达出来的人文情怀。论文第四章笔者论述了黄公望其人其画对后世画家们的影响。笔者分别找出了元、明、清、近现代的代表画家,将其作品与黄公望的作品进行对比分析,进而证明黄公望的绘画思想与绘画技法影响深远。综上所述,本文着重从黄公望的艺术思想与作品入手去研究大痴的绘画理论和绘画技法、去窥探大痴的精神世界、去感受画面之外的人文精神,也希望这些研究能为笔者今后的绘画生涯提供一些帮助。更多还原

【Abstract】 Yuan Dynasty is a special period of time, but it is also that the particularity of Yuan Dynasty achieve the artistic characteristics of Huang Gongwang so that he was pushed to the first of the "four yuan", and led the new wind of "literati painting". The research on Huang Gongwang and his works "Dwelling in the Fuchun Mountains " have great significance to our future painting theory and practiceIn the specific historical period, the formation of the artistic thought characteristics of every artist will be affected by the social environment, family environment, education environment and so on, and these effects will inevitably be presented to the audience by painting works. So in the first chapter, the author from Dong Yuan, Mi Fu, Li Cheng in the Northern Song Dynasty and Ma yuan in the Southern Song Dynasty, the painting style of Xia gui influence on painting of Huang Gongwang, Zhao Mengfu "painting respect on old meaning" "calligraphy into painting" art thought influence on Huang Gongwang’s painting; The influence of foreign domination on Huang Gongwang’s painting style; regional effect; influence of painting materials; The six aspects of Huang Gongwang’s self culture influence the formation of Huang Gong wang’s artistic style. In the second chapter, the author discusses the Huang Gongwang old painting not mud old, model method is naturally, painting on the scene, advocate "The Scholar family tradition", and the ink charm, "landscape of the law to care", "reason" is important and " charm" is more important. Go to the pen and ink evil-"evil, sweet, vulgar, Lai" these paintings theory. In the third chapter, the author analyzed the map "Dwelling in the Fuchun Mountains " of Huang Gongwang. This chapter discusses the historical experience over the map, the different composition, imitation, the performance techniques of mountain stone and tree in map, by using ink and pen to convey the humanity feelings in map. In the fourth chapter, the author discusses the influence of Huang and his paintings on later artists. The author finds out the yuan, Ming, Qing and modern representative painters, compares their works with Huang Gongwang’s works, and proves that Huang Gongwang’s painting ideas and painting techniques have profound influence.In conclusion, this paper from Huang’s artistic thought and works to study the lunacy’s painting theory and techniques, to pry into the spirit world of the lunacy, to feel humanistic spirit out of the picture, and also hope that these studies can provide some help for the author’s painting career in the future.更多还原