【作者】 刘芳；

【导师】 徐兆寿；

【作者基本信息】 西北师范大学 ， 戏剧与影视学， 2016， 硕士

【摘要】 香港黑帮电影作为世界电影史上的一个重要篇章,有它存在和发展的历史地位和原因。尤其是在20世纪90年代,黑帮题材的电影已经成为香港电影浓墨重彩的一笔,而这些黑帮电影中又出现了为数不少的女性形象。本文试图以影片中女性形象的角度对这类男性主导的电影题材进行一个全新的解读和研究。由于黑帮电影历来偏重于对男性的“英雄主义”和“江湖道义”的刻画和塑造,女性形象在影片中只是作为陪衬的地位出现。女性在以男性为主导的黑帮电影中,往往被冠之以“角色功能微弱”、“缺乏研究价值”等刻板印象。以至于在学术界也很少有人关注到黑帮电影中的女性,在有关黑帮电影的研究中对于女性角色相关方面的分析和探讨更加微乎其微。然而,女性往往在影片中起到宝珠的“串连”作用。在绝大多数黑帮电影中,一旦失去女性的角色功能,影片无论是在叙事结构上还是在情节设置上都是不完整的,并且女性角色在整部电影中不仅起到了抛砖引玉和承上启下的过渡功能,甚至作为整部影片的叙事核心呈现和演绎出来。本文通过对20世纪90年代香港黑帮电影中出现的女性形象的常见类型以及影片中围绕女性所展开的欲望、暴力、底层和困境等方面的问题进行了深入探讨,并通过案例分析来论证文章的观点。作者希望通过本篇论文的研究,使更多人对90年代香港黑帮电影中的女性形象有更为深入和全面的了解与认识,即影片中的女性除了地位压抑和角色陈旧之外,还存在着女性主义隐匿和母性形象缺失的问题,并且“去女性化”的角色形象使得女性最终的话语主导权也被剥夺了。黑帮电影是对香港社会在一段时期内反战思潮的隐喻和影射,香港黑帮电影当中对于女性的呈现折射,不仅体现出了香港黑帮电影强烈的社会性别意识,而且更加体现了香港社会在一段特殊的历史时期背景下所呈现的多元文化特征。更多还原

【Abstract】 The Hong Kong gangster movie as an important chapter in the movie history has its historical status and reasons for its existence and development. Especially in the 1990 s, it had occupied a vital position in the Hong Kong movies, which appeared a large number of female images. This paper attempts to offer a new interpretation and study of such a male-dominated movie from the perspective of female images.Since gangster movie always emphasizes the characterization and modeling of the male’s "heroism" and "moral arena", the image of women in gangster movie only as a foil for that of men appears. Women, in male-dominated gangster movie,are often stereotyped as the "weak role function", "lack of research value" and suchlike. So few people in the academic world have taken women into consideration in the studies related to the gangster movie, and fewer still in the analysis and discussions of the relevant aspects of the role of women. However, women tend to act as a “Movie Pearl” to connect the whole movie. A gangster movie will become incomplete either in narrative structure orin plot settings, so long as the movie is void of female characters.And female images in a gangster movie not only function as transition and initiation, but also as the narrative core of the whole movie’s development.This paper thoroughly discusses female images of the common types and their desire, violence, dilemma and life at the bottom issues of Hong Kong gangster movie in the 1990 s.The author uses case analysis to demonstrate the views of the paper and hopes this paper can equip more people with an in-depth and comprehensive understanding and awareness of female images of Hong Kong gangster movie in the 1990 s.In addition to the women’s oppressed status and obsolete role, feminism hidden and lack of the image of motherhood are also problems. The feminine removed image makes women’s dominance of movie has also been eventually deprived.Hong Kong gangster movie is the metaphor and reflection of anti-war thoughts during a period of time in Hong Kong. The female images not only reflects the strong gender awareness in Hong Kong gangster movie but also reflects the multicultural background characteristics in the special time of the history of Hong Kong.更多还原