纪录片《南糯山上的哈尼人》的创作阐述

【作者】 陈浩；

【导师】 叶非；

【作者基本信息】 昆明理工大学 ， 广播电视（专业学位）， 2016， 硕士

【摘要】 云南,是我国少数民族最多的省份,51个少数民族聚居于斯,生死于斯。千百年来,他们的文化,他们的生活,他们的劳动,代代相传。无论哪一种裁剪出来,都是他们某个时段或者某个侧面的深邃神秘又及其普通的生存状态的一种折射。云南有着得天独厚的茶叶生长环境,是茶叶的发源地之一,特别是勐海,又是云南普洱茶的核心产区。南糯山地属勐海,是新六大茶山之一,茶品特点突出。祖祖辈辈生活在南糯山上的哈尼人,以茶为生,与茶融为一体。茶成为南糯山上的哈尼人的基本生存状态的承载物之一。本作品聚焦于茶,以茶作为载体,展现南糯山上的哈尼人的生存状态,展现他们的传统文化。作品拍摄历时八个月,在南糯山与当地哈尼人一同生活,感受哈尼人的热情,体会普洱茶的魅力所在。作品主要展现了生活在南糯山上的哈尼人与茶的故事,纪录了哈尼族茶王节、龙梅一家与茶的故事、海荣的制茶手艺以及哈尼族的新年“扎勒特”。作品由两条主要线索构成。一是时间线索,六个段落从三月茶王节开始,祈求茶神保佑,获得丰收到龙梅探春茶、海荣制作谷花茶和每年元旦的“扎勒特”；第二条线索是段落本身所讲述的故事,故事按照时间顺序而来,又在时间线索中展开叙事。作品以解说词贯穿,引导并推进故事发展；背景音乐的加入,推动叙事,烘托情感；作品在展现哈尼族茶文化的同时,也加入创作者对哈尼人的生活与生存的直观理解。更多还原

【Abstract】 Yunnan, a single province inhabited by 51 ethnical minorities, the most ethnically diversified one in China. They are born, live, labour and die on this land. For thousands of years, their culture, their way of life, and their works, have been passed down through generations. A snapshot of any time in their history will reflect an episode or aspect of their profound, mysterious, yet ordinary state of living.Yunnan, one of the ancient origins of tea, is bestowed with the prefect environment to grow tea trees. Menghai is at the center of Yunnan’s Pu-erh tea production region. Nannuo Mountain, located in Menghai, is one of the six newly recognised tea-growing mountains and features teas with unique characteristics. The Hani people who have been living on Nannuo Mountain for generations, live on teas and teas are an integral part of their life. Tea is one of the carriers that sustain the Hani’s fundamental state of living on Nannuo Mountain.This documentary focuses on tea as a carrier to display the life and traditional culture of the Hani on Nannuo Mountain. It took eight months to complete filming. The crew lived with local Hani people and experienced their hospitality and charming Pu-erh tea. This piece of work tells the story between tea and the Hani on Nannuo Mountain, the Hani’s Tea-tree King Festival, HAI Rong’s tea-making skills, and the Hani’s New Year celebration " Hhaqma Tul ". There are two storylines. One is time-sequential and composed of six segments, Tea-tree King Festival in March, prayers for Tea God’s blessing, harvesting, hunting for spring tea in Longmei, HAI Rong’s millet bloom tea, and Hhaqma Tul at end of year. The other storyline tells the stories behind the time sequence. The entire length of the film utilises commentaries to guide and facilitate the development, with background music adding sentiments into storytelling. Besides presentation of the Hani’s tea culture, the work also communicates the author’s objective understanding of the Hani’s way of life and survival.更多还原