【作者】 蒋鹏；

【导师】 黄艾；

【作者基本信息】 苏州大学 ， 美术学， 2016， 硕士

【摘要】 本文以辽宁省博物馆藏文徵明的《烟江叠嶂图》卷为例,分析文徵明山水画的笔墨表现语言,体现出文徵明山水画高超的艺术价值。客观的解析文徵明与其他画家的关系以及“吴门画派”对文徵明绘画风格的形成和影响。“吴门画派”对文徵明起的影响至关重要,画派一词是指一种绘画风格和一定的师承关系来衡量定名形成的一个画派,而这些画家有着相同或相近的绘画思想和笔墨语言风格(文化背景和审美要求),行文中也分析了文徵明的审美特征。在我国绘画史上,记载《烟江叠嶂图》卷共有5幅之多,有宋代王诜的《烟江叠嶂图》卷,绢本设色、绢本水墨各一卷；元代赵孟頫的《重江叠嶂图》(《烟江叠嶂图》)卷；明代沈周和文徵明的《烟江叠嶂图》卷。文徵明《烟江叠嶂图》卷始画于正德三年戊辰年(1508年)三月二十日,纸本水墨,于辽宁省博物馆藏,纵：50cm,横：620.8cm,此卷在入藏辽博前,一直被珍藏在苏州过云楼内,几百年间都不曾为世人知晓。本文以文徵明本《烟江叠嶂图》卷入手,客观分析其艺术特色以及文徵明与其他画家的传承关系,包括各画卷的流传和绘画技法的传承关系。本文也对画家身平事迹进行论述,反映画家成长历程和其艺术特点成因,着重对画家的师承关系、艺术思想、个人价值观、技法特点、艺术风格等进行全面系统的研究与评价,也着重分析了此卷画的绘画表现艺术语言,并加以品鉴。综上所述来展示文徵明《烟江叠嶂图》卷的山水绘画的表现手法和艺术成就。更多还原

【Abstract】 Taken the< YanJiangdiezhangtu> in Liaoning Museum by WengZhengming as an example, this paper is about to research the artistic features and Ink Performance language and to reflect the artistic value of landscape painting by WenZhengming, objectively analyze how the relationship between the painters and "WuShool" influences the forming of his artistic style.Of course, the influence of "Wu School" for WenZhengming is also important, "School" means that it was formed by the same painting style and the relationship of teachers and students who share the same or similar thoughts and pen and ink painting language (same cultural background and aesthetic requirements), the formation and rise of "Wu School" are mainly based on these reasons, and I analyze the aesthetic characteristics of Wen Zhiming in the paper.According to Art historical records, there are at least 5 volumes named of "YanJiangdiezhangtu". Based on the< YanJiangdiezhangtu> by WengZhengming, this paper analyzes the resource of its topic and style, the topic originated from WangSheng who is a painter in the Song dynasty had drawn the "YanJiangdiezhangtu". WangSheng had drawn two works, which are stored in the Shanghai museum, one is Silk scroll painting with color. Then, in the Yuan dynasty, the painter ZhaoMengfu had a chance to appreciate the painting, then he drew a landscape usually we call it "ChongJiangdiezhangtu". And later in the Ming dynasty, the painter ShenChou and WenZhenming had also drawn the same named painting. WenZhenming’s "YanJiangdiezhangtu" was started to paint in Masanori three years in Wu Chen years (years of 1508) and also painted by paper and ink, which is stored in the Liaoning museum, the length is 620.8cm, width is 50cm. Before this painting was stored by the Liaoning museum, it has been enshrined in the Suzhou cloud building, hundreds of years have never known. This paper is working on the volume of WenZhengming’s "YanJiangdiezhangtu", objectively analyze its artistic features and inheriting relationship with other artists, including the circulating of the picture and inheritance relationship of painting techniques.In the paper, I also discusses the artist’s personal achievement, to reflect the artists’s growth process and the characteristics,to give an emphatically comprehensive and systematic research and evaluation for painter’s artistic thought, teacher-student relationship, personal values, technique characteristics and his artistic style, emphasizing and appreciating the art language performance of this painting. Wrap this all together, to show the painting techniques and artistic achievements of WenZhengming’s< YanJiangdiezhangtu>.更多还原