阿方索·富恩特斯的配器技法研究

【作者】 杨帆；

【导师】 邹向平；

【作者基本信息】 四川音乐学院 ， 音乐学， 2016， 硕士

【摘要】 阿方索?富恩特斯(Alfonso Fuentes)是当今拉美地区最受瞩目的作曲家之一,其作品将加勒比海区域丰富的民间音乐素材与现代管弦乐相融合,富有浓郁的地域特色和独特的创作手法。复杂多变的节奏以及丰富的音色、音响是阿方索作品的主要特征。本文以阿方索的《祖之穿越》(Planeaciones Ancestrales)(1990),《热带协奏曲——为电贝司和管弦乐队而作》(Concierto Tropical Para Bajo Electricoy Orquesta)(2006-2014)两部管弦乐作品为分析对象,系统的对其配器技法进行研究和梳理。对于配器技法分析,美国作曲家、音乐理论家瓦?辟斯顿曾经说过:“配器分析实际上是一种方法,研究乐器间通过何种组合来实现音响平衡、音色对比与统一以及其他音乐价值。配器分析第一步就要先研究音乐的旋律、和声背景或伴奏、对位线条等构成要素”。因此,基于瓦?辟斯顿的配器分析理论,本文主要以两部作品中独具特色的地域音乐材料和创作手法为切入点,研究作曲家如何对其进行扩展变化以及丰富的配器处理,如何利用有效的音色组合来实现作品的音响平衡以及色彩变化。全文共包括四个章节,第一章主要介绍作者生平及其创作风格,包括对两部管弦乐作品详细的背景、编制等介绍。第二章主要对作品《祖之穿越》中的核心材料展衍手法及其音色处理进行分析,总结出作曲家对核心材料的整体音色布局。第三章主要介绍《热带协奏曲》的配器特色,分析作曲家如何将电声乐器融入到管弦乐队中与乐队实现对比融合的关系,如何控制加入电声乐器后的音响平衡,以及如何利用独特的电贝司音色创造新的音响效果等。第四章主要对两部作品中音色-音响的对置与色彩性装饰的手法进行梳理,总结作曲家如何运用新的配器思维,创造出丰富的音响效果。更多还原

【Abstract】 Alfonso Fuentes is one of the most popular contemporary composers in Latin America.His pieces full of strong regional characteristics and unique composition techniques which combine the Caribbean region rich folk music material and modern orchestral. The main characteristic of Alfonso’s composition is complex and changeful rhythm and abundant timbers. This dissertation attempts to systematically research and exposition his orchestration technique. Based on his two orchestral works which are Planeaciones ancestrales(1990) and Concierto tropical para Bajo Electricoy Erquesta(2006-2014). American composer and music theorist Walter Piston once said about the analysis technique of the orchestration that.‘Analysis of orchestration is actually a kind of method, research instruments through which combinations to achieve sonority balance, timber changes and utility other musical values.The first step of orchestration is to study the composition factors of the music, the melody,harmony or accompaniment, counterpoint lines constitute ’. Thus. According to the Walter Piston’s theory of analysis about orchestration. This paper research how the composers deal with the various core materials and folk material and how to use the effective timber combination to realize the sonority balance and color change mainly based on two works of the unique regional music materials and composition techniques as the point.This dissertation consists four chapters. The first chapter mainly introduces the composer’s life and his composition style, including the details introduction of the background and the orchestral establishment about two works. The second chapter mainly analyzes the development techniques of the core material and timbre processing about Planeaciones ancestrales, then sum up that the composer’s overall timber layout of the core material. The third chapter mainly introduces the orchestration features of Concierto tropical para Bajo Electricoy Erquesta. To analysis how the composer to layout the timber of electric bass into the orchestra and achieve the relationship about fusion and contrast, and how to balance the orchestral sonority with the electronic bass also to make full use of the special timber of electronic bass to create new timbers etc. The fourth chapter mainly analyzes the opposite and color decoration technique of timbers and sonority. then sum up how the composer to use new orchestration thinking create colorful sonority effects.更多还原