【作者】 张磊；

【导师】 薛敏；

【作者基本信息】 西安建筑科技大学 ， 哲学， 2015， 硕士

【摘要】 新时期经典抗战电影,由于存在国企、私营、合资等多样化的制作主体,在影像表现和精神追求方面呈现出与此前抗战电影截然不同的风貌。本研究正是基于这种考虑以及当下紧张的中日关系,在中国人民抗击日本军国主义侵略胜利70周年的重要时刻选取此论题加以研究,其原因与目的在于:一是这些经典作品以宽阔的历史意识、精湛的艺术追求、清醒的洞察力和勇于承担的社会责任,宣扬了爱国主义精神,唤醒了对历史真相记忆模糊的国民以清醒的态度正视历史,减少实际爱国行为中的盲目和冲动。二是绝大多数的抗战电影作品,在国族神话的建构和消费苦难的娱乐中消解了历史的神圣,让本该唤醒的爱国热情和原应增强的民族凝聚力变成盲目的自大和轻率的冲动。因此研究经典作品的艺术美,对规范抗战影像的创作具有积极的指导意义。本文以新时期经典抗战电影为研究对象,运用美学分析、跨学科研究、对比研究、文本细读等方法,采用黑格尔与马克思美学关于对艺术美由“形式”和“内容”两方面的界定,结合经典的影像作品进行分析。本文形式美主要从人物塑造、暴力美学、影像风格三个层面对抗战电影影像表现进行了梳理;内容美主要从意蕴探索、人性丰富、信仰坚守三个层面对抗战电影精神追求进行了提炼,进而启示我们:经典影像以其对现实主义的遵循、人性反思的深入、商业性的完善考虑较其他的抗战影像作品取得了更突出的成就。但在视觉奇观下的历史消费、思想艺术商业性的失衡、暴力血腥场面的过度渲染等方面也产生了不良的影响。因此及时全面地把握新时期经典抗战电影的优秀内核,规避其创作弊端,变消费历史为尊重历史、政治图解为人文思考、概念影像为艺术创造,借鉴国外优秀二战电影的创作经验,反思战争、揭露法西斯、展现爱国主义情怀应该是中国电影人对待抗战影像不断努力的方向。更多还原

【Abstract】 The classic War of Resistance Against Japan film in new period. Due to the diversification of the production of the state-owned, private, joint ventures. In terms of imaging performance and spiritual pursuits with the previous war film showing a different style. This study is based on this consideration and present tense Sino-Japanese relations. Selecting this topic at the 70 th anniversary of the Chinese people against the Japanese militarist aggression important moment of victory to be studied, its causes and aims: First, these classic works in the broad sense of history, exquisite artistic pursuit,sober insight and courage to take social responsibility, to promote the spirit of patriotism,wake of historical truth nationals sober attitude to face history, reduce the actual behavior of the blind and patriotic impulses. Second, the vast majority of the war films,construction in the nation mythology and consumer entertainment suffering, more or less obscured heavy history, make this the wake of patriotic fervor and the original should enhance national cohesion becomes arrogant and reckless blind superstition.Grasp the artistic beauty of classic works behind, to standardize the creation of the images of the war of resistance against Japan has a positive guiding significance.In this paper, the research object the classic War of Resistance Against Japan film in new period. By using aesthetic analysis, interdisciplinary research, comparative research, and close reading, It follows the Aesthetics in Hegel and Marx, From the "form" and "content" to define the beauty. From the characterization, aesthetics of violence, style performance, combing the film form of external perception; From human nature, implication of exploration, faith stick, refining the inner spiritual pursuit behind art form. A comprehensive grasp of the artistic beauty feature films War. Then draw inspiration: These images follow for its realism, depth reflection on human nature,perfect for commercial considerations, compared with other video works made more prominent achievements. But its existence some drawbacks, such as historical consumption under visual spectacle, ideological and artistic commercial imbalances,over-exaggerated scenes of bloody violence. Creation of the image of having a negative influence. Therefore, a reasonable grasp of the outstanding core of these films, avoid the drawbacks of its creation. Variable consumption history as the respect for history,Variable Political illustration as the humanistic thinking, variable Concept image as the artistic creation. Learn from foreign experience in the creation of outstanding World War II movies. Reflections on War, exposing the fascist, show patriotic feelings. Should be the direction of Chinese filmmakers continuous efforts.更多还原