【作者】 袁帅；

【导师】 刘松茯；

【作者基本信息】 哈尔滨工业大学 ， 建筑历史与理论， 2015， 硕士

【摘要】 在人类建筑的发展历程中,新与旧的更替是非常频繁的。旧是人们对新的熟知,新是人们对旧的反叛;旧是人们对某种图像熟知后的一种强烈意象,而新则是人们不熟知而表现出的一种微弱意象。在社会转型过程中,新与旧的更替会、强弱的转换会更加的剧烈,二者之间的反差会更加鲜明。任何一位负责任的建筑师,都在对旧的反叛中为时代创新,摒弃强意象,创造弱意象,在时代的大潮中,自觉地引领建筑向前发展。伊东丰雄正是这样一位建筑师,他创作了一系列将概念创新与精美建造相结合的建筑,始终带有浪漫的诗人气质。在他从业近40年后,终于获得了2013年度的普利策建筑奖。伊东丰雄的作品充满了弱意象性,创新度非常高。通过文献整理、实例列举及学科交叉等研究方法,以伊东丰雄建筑作品的弱意象性作为切入点解读其作品的创新性,剖析其建筑理念,能够获得其作品的深刻含义。建筑师对空间和场所的讨论从未停歇,伊东丰雄的建筑作品的空间具有含混、无界等显著特点,空间层面具有弱意象性。论文首先从空间精神、空间边界、空间要素三个角度进行解读。他的建筑空间具有明显的个人特色,同时引领了日本的时代风格。他的建筑作品具有“无形化”的空间精神特点,他采用“自我性”、“瞬时性”、“浮游感”等精神属性来体现建筑的弱意象性;他在空间边界的表达上趋于“无界化”,从而获得暧昧、含混的建筑功能分区,赋予空间更多可能性;他在空间要素的表达上具有“多义化”的特征,从光影、都市、网络等不同角度来分析构成其建筑空间的要素,从而体现其空间弱意象性。建筑的形体是最具有强烈表现性的建筑要素,好的建筑形体能给使用者愉悦身心的感官享受。伊东丰雄建筑作品经常给人以强烈的视觉冲击感,形式创新而富有活力。论文从建筑形体的弱意象性进行剖析,从其建筑作品的物质性角度切入,从建筑结构、建筑形体、建筑表皮和建筑细部的弱意象性进行解读。在建筑结构方面,伊东探求结构和形体的独特结合,提倡结构的“非普适性”,提升建筑的艺术价值和技术价值;在建筑的形体方面多采用非线性、多维灵动的形体和建筑元素的一体化手法来表达建筑的“不确定性”;在建筑表皮方面体现了“透层建筑”的特点,造成室内室外的暧昧关系;在细节表现方面,伊东尝试采用广谱性的细部处理,精致而富有多重创意,无论是从材质的类型表达或者是细部精致多元的处理方式,抑或色彩的选择,都呈现了丰富多样的弱意象性。每个具有时代性的建筑都可以被看作体现了时代精神的艺术品,建筑也能够体现符合时代精神的审美价值。伊东丰雄力求建筑的流畅,而不受制于现代建筑的局限。他致力于打破现代主义建筑的审美秩序,从中剥离,建立新的美学观点。同时,他的建筑作品同样隐晦地带有日本建筑的民族性,用建筑的暧昧、光影来陈述日本文化和建筑美学。另一方面,伊东的建筑在不断创新和探索的同时努力寻回建筑的本真,回到建筑的原初点,力求用建筑来回归自然,承担社会责任。他的建筑作品经常能够给使用者带来欢乐,轻盈和幸福之感,同时兼备自身风格和普适性,指引时代建筑的发展方向。总体看来,伊东的作品从空间、形体和审美各个角度和方面均体现了建筑的弱意象性。论文借助对伊东作品的弱意象性的解析,把握其建筑作品的设计理念和设计手法,分析其作品案例。并以此为契机,唤起对中国建筑未来流向的深度思考。更多还原

【Abstract】 In the course of human’s development of construction, new and old’s change is very frequent. The old is that people is familiar to new, and the new is that people betray old. Especially in the process of social transformation, the new and old change will be more severe, the old and new contrast will be more clear. An accomplished architect,betrayed of old age, is innovating for the age, and consciously leading architectural development forward. Ito Toyo is just such an architect. He is seen to be a romantic poet and has created a series of concept innovation and build a beautiful combination of architectural.Ito Toyo won the Pulitzer prize for architecture after he has worked for 40 years. The prize has a means of lifetime achievement. Using literature, examples and interdisciplinary as research methods, This paper tries to Innovative interpretation of his works by the weak image of his works, and analysis its architectural concept, than profound meaning of the works.the architects’ discuss of space and place is continuous. Ito Toyo’s architectural works is of the space has a significant characteristics of unbounded, and ambiguity. His space level has weak image. From the point of Ito’s architectural works of spiritual perspective,This paper interpreted from three angles of space, space, space spirit boundary elements. His architectural space has obvious personal features, and led the Japanese style of this times. His architectural works have characteristics of "space spirit characteristics of invisible". His spiritual, such as "self", "instant", "floating feeling", attributed to reflect the building’s weak image. His architectural works tends to be "unbounded" so as to obtain ambiguous building function zoning, and it would give more possibility space to space. In the the expression of spatial elements, his works havd the features of "ambiguity". From different angles, such as light, city, network and so on, it tries to analyze the elements of its architectural space to know how to embody the space of weak image.The building’s shape is the most strong elements of performance. Good image of building can give the user a pleasurable sensory enjoyment. Ito Toyo’s architectural works often give a person with a strong sense of visual impact. The bulidings’ form are full of innovation and vitality. we can analysises from the weak image of his architectural form, from the material point of the architectural works, and interpreted from the weak image of architectural structure, architectural form, architectural surface and architectural details. He structs build body with double effect of technology and art to enhance the artistic and technical value of buildings. In the aspect of buildings’ body, He use more nonlinear and multidimensional smart size to express the organic architecture. All the method is to perform the uncertainty of his architectural works’ shape. In the aspect of building skin it embodies the characteristic "permeable layer architecture". According to different construction technique, he presents the buildings’ transparent or translucent state, and ambiguous the relationship between indoor and outdoor. performance in deta, Ito try to use broad-spectrum. It full of multiple creation. whether material type expression or detail fine lapping mode, or the choice of colors, it appear weak and ric h imagery.A building with era of artistic could be seen as a artwork. When we see through the appearance to perceive the essence, The building can also embody the aesthetic value in the spirit of the times. Ito Toyo tries to realizate building fluency. an d he is not limited to modern architecture. he broke the modernist architectural aesthetic order, and establish new aesthetic point of view. At the same time, his architectural works also veiled have nationality of Japanese architecture. Buildings’ ambiguous, light and shadow aesthetics to the world of Japanese culture and architectural statement. On the other hand, Ito tried to find the essence of architecture building when he is contining to innovate and explore, and return to the original point of the building. He tries to bear social responsibility by architecture and brings the spirit connotation into design. his architectural works are full of optimism, light and joy, and at the same time with the uniqueness and universality. his works building the development of the times direction.Overall, from space, form and aesthetic various angles and aspects, Ito’s works are reflected his works’ weak image. He injects innovation to works and bring people surprise feeling. By analytic the means of weak imagery of Ito’s work,This paper grasps the design ideas and design methods and analyzes its work case. Taking this as an opportunity, we could analysis the main trend of Japanese architecture, thus arouse the depth of thinking of Chinese architecture in the future direction.更多还原