近五年国剧盛典T0P1都市情感剧中人物“社会身份”研究

【作者】 杨杰；

【导师】 石晓雯；

【作者基本信息】 陕西师范大学 ， 戏剧与影视学， 2015， 硕士

【摘要】 人类进入新世纪以来,科学技术不断发展与突破,以大众传播媒介为载体的大众文化让人们的生活观念与方式发生了巨大的改变,其中以大众视觉文化即电视文化对人们日常生活所起的潜移默化的影响最为显著。而电视文化中以展现大多数普通人的生活状况、直面社会热点话题以及展现当下适婚男女的事业观、婚姻观等价值观念等世俗生活与人生百态的都市情感剧,备受时下创作者与消费者的亲睐。剧中具有强烈艺术感染力的人物形象的塑造、人物社会身份的设定承载着不断变化中的社会观念、审美需求以及精神文明的传递。借助大众文化的影响力与渗透力,主流意识形态逐渐改变并重新建构着我们的社会身份。本文运用文本研究与文化研究相结合的方法,选取近五年来国剧盛典十佳电视剧中名列前茅的都市情感剧,通过梳理文本中人物形象的塑造与人物之间诸多社会关系的设定来明确电视剧中人物的社会身份是如何建构,进而借助社会身份理论中的社会身份的复杂性以及社会身份建构的动态性,对剧中人物的社会身份进行分析与比较,找出人物性别社会身份、空间社会身份与阶层社会身份的叙事变化以及这些变化的趋势,并探讨主流意识形态掌舵下的大众文化是如何反映现实社会,即创作者如何在主流意识形态的影响下设定剧中人物的社会身份,以及拟态环境中的身份设定是如何对观影群体产生潜移默化的影响。第一章主要提出本文的研究问题,运用社会身份理论对都市情感剧中的人物社会身份进行研究。第二章主要研究社会身份的微观层面即反映个体的感知、情感、行为动机的性别社会身份,提出暖男型的男性身份与女强人型的女性身份的反传统的性别身份观点。第三章主要研究社会身份的中观层面即社会情境下的社会身份,提出融洽与共的私人空间身份与公共空间身份,即和谐化的空间身份观点。第四章主要研究社会身份的宏观层面即社会结构中的阶层身份,提出突显中产阶层、弱化边缘阶层的变迁性的阶层身份观点。第五章主要对反传统的性别身份、和谐化的空间身份与变迁性的阶层身份进行反思,认为反传统的性别身份是在女性意识下的“自我”与“他者”的身份易位；和谐化的空间身份是主流意识形态下拟态环境的理想化表达；变迁性的阶层身份是大众文化的景观化欺骗。同时,也提出了都市情感电视剧人物社会身份设置的现实意义与不足。影像世界中这些人物社会身份的动态建构皆是主流价值观念与国家意识形态的外化,大众文化为紧张、忙碌的观众在拟态环境中营造出一个不可企及的理想世界,使得生活在竞争激烈、节奏紧张时代的人们能够在大众文化的消遣娱乐时光中逃离残酷现实,得以获得短暂游离于现实生活的欣慰与快感。更多还原

【Abstract】 Mankind enters the new century, science and technology development and breakthroughs in the mass media and popular culture as the carrier to make people’s lives and the way the concept has undergone tremendous change, in which the mass of visual culture that television culture plays in people’s daily lives the subtle influence of the most significant.And television culture in order to show the living conditions of the majority of ordinary people, face and show the current hot topic of men and women of marriageable career, marriage and other values, such as the secular life and the vicissitudes of life in the metropolis emotion Drama, much nowadays creators and consumers that the audience close friends. Play with a strong artistic appeal of characters shaped the characters of social identities carries a changing set of social values, aesthetic and spiritual needs of delivery. With the influence and penetration of mass culture, the mainstream ideology gradually changing and re-construct our social identities.Research and Cultural Studies using the method of combining text of this article, select the past five years, the National Drama Festival drama in the top ten urban emotional drama, by setting many of the social relations between the text characters sort of shape and character to define drama how social status of the characters is to construct, and then by means of social identity theory, social identity complexity and dynamics of social construction of identity, social status of the characters were analyzed and compared to identify people Gender social identity, social space Narrative identity change and sectors of society as well as the identity of the trend of these changes, and explore popular culture mainstream ideology at the helm is how to reflect the real world, that is, how to set up social identity creator of the characters under the influence of the mainstream ideology, as well as the identity of mimicry environment setting how a subtle influence on the viewing population.The first chapter of the research questions raised in this article, the use of social identity theory of urban emotional drama of the characters studied social identity. The second chapter studies the social identity of that individual micro-level social gender identity, put warm male type of male identity and the identity of the woman-type female gender identity unconventional perspective. The second chapter of the micro-level study of social identity that is reflected in the individual perception, emotion, motivation gender social identities, made warm male type of male identity and the identity of the woman-type female gender identity unconventional perspective. The fourth chapter of the macro-level study of social identity that social structure class identity, presented highlights of the middle class, the weakening of class identity edge class viewpoint changes. The fifth chapter of the anti-traditional gender identity, harmonization of spatial identity and class identity of changes to reflect that gender identity is against the traditional female Consciousness "self" and "other" identity translocation; harmonization of spatial identity is an idealized expression mimicry environment under the mainstream ideology; class status changes of popular culture landscape of deception. It also put forward the practical significance of the lack of urban emotional drama character social status settings.Dynamic imaging world in the construction of social identities of all these characters is the mainstream values and national ideology outside of popular culture is intense, busy audience to create an environment in mimicry of an unattainable ideal world, making life in the fierce competition, fast-paced age people can escape the harsh reality of mass culture in recreation time, and to get divorced from real life short pleased with pleasure.更多还原