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梅清山水画黄山情结研究
The Study of Mei Qing’s Painting Huangshan Complex
【作者】 王琳;
【导师】 赵运虎;
【作者基本信息】 河南师范大学 , 美术学, 2015, 硕士
【摘要】 提到中国山水画离不开黄山的影响,它对山水画的发展起到了积极的作用。本文选取明末清初的梅清,通过对梅清山水画黄山情结的研究使我们深入地了解梅清山水画的艺术风格,使我们对时代背景和艺术家及其艺术作品的内涵有着更为清晰的理解,也有助于进一步领悟梅清山水画黄山情结的艺术风格和对后世的影响。梅清是黄山画派中的创始人之一,梅清画山水最初只是借家乡山水为题材来进行创作,作品并不多。而后在他三十二岁登入黄山之后,便被黄山的“气质”所吸引,找到了自己的情感归宿。梅清是非常喜爱画黄山的,黄山的松石、山水无不体现着他对黄山的情感,他自称“余游黄山后,凡有笔墨,大半皆黄山矣。”在他的作品中,黄山千姿百态的山峰、气势宏伟的流泉、变化多端的烟云以及他非常擅长的孤松在他的笔下都被表现的淋漓尽致。因此他作品中的黄山大多都是以气势取胜,动感十足。梅清的一生都与黄山有着千丝万缕的关系,黄山独特的神韵与气质深深吸引着梅清,使本不是黄山人的梅清反而画出了许多以黄山为题材的不朽杰作,他也被后人称之为“黄山画派巨匠”等等,梅清在中国绘画史上有着重要的地位,他带给后人的影响也是极为深远的。本文通过对梅清山水画黄山情结进行研究,结合其时代背景、黄山的地域文化、明清时期的绘画美学思想以及个人多方面的因素来分析梅清山水画黄山情结产生的根源,解析梅清为何寄情黄山,解读他作品简洁高远的的艺术风格以及他孤傲耿杰的个人情怀。在分析梅清黄山情结及其绘画作品中的体现做了详细的分析,不仅使我们更全面的了解了梅清的黄山情结,也使我们对于梅清黄山情结所体现出的价值有了一定的认识,而本文也希望通过分析梅清黄山情结所产生的价值以及影响能够对我们的山水画创作之路有所指引。本文通过研究梅清山水画中的黄山情结,对其进行系统梳理和分析,以至于有更深一层的认知与理解。也希望通过本论文使美术界对梅清山水画的黄山情结能够有一个较全面的认识和体味。
【Abstract】 Referring to the influence of Chinese landscape, paintings from Mount Huang can’t be ignored. It plays a positive role in the development of landscape painting. This article selects the Mei Qing’s works between the Qing Dynasty and Early Ming Dynasty as the research subject. The research of the complex landscape painting of Mount Huang makes us deeply understand landscape painting’s artistic style. At the same time, it also gives a more clear understanding the background information of the artist and the connotation of the works of art. And also helps us to further understand of Mount Huang complex artistic style and influence on later generations.Meiqing is one of the founders of Huangshan Mountain School. Originally, he uses the hometown as subject to compose and has few works. Later, at the age of 32, when he stepped into the Huangshan Mountain, he was attracted by the "grandness" of Huangshan Mountain as if he found a bosom friend. He likes painting everything about Huangshan Mountain such as mountain stone, landscape which embodies his emotion to Huangshan Mountain. He claims that: “he will painting Huangshan Mountain only if he travels that place.” He expresses the following things thoroughly, such as various Huangshan Mountain peaks, grand fountain, changeful cloud and fog, and even the lone pine that he is really good at painting in his works. So, most of his works are famous for the features of the momentum and dynamic. Meiqing’s life associated with Huangshan, he was deeply attracted by the unique charm and grandness of Huangshan Mountai which makes him not only draws many immortal masterpieces of Huangshan, but also he was called "the masters of Huangshan School". Meiqing has important position in Chinese painting history and he also has a great influence on the generations.Through the research of the complex of Mount Huang and combined with its era background, the regional culture of Mount Huang, the Ming and Qing dynasties painting aesthetics, this research focus to find out the root causes of landscape painting Mount Huang complex. The author tries to find out why Mei Qing so deeply interested in the Mount Huang. On the other hand, the author manages to analyze his concise and lofty artistic style in his works and his transcendental spiritual life of quiescence. The detailed analysis of Mount Huang complex reflected in their paintings not only make us have a more comprehensive understanding of Mei Qing’s Mount Huang complex, and also allow us to have a certain understanding of the value of his complex. The author also hopes to find out the value and impact of Mount Huang complex in our future life learning.Through studies of Mei Qing’s complex of Mount Huang in his paintings, and combing and analysis on the system, we can have a deeper understanding of his works. The author also hopes this article will give a more comprehensive understanding of Mei Qing’s painting.