【作者】 刘静；

【导师】 郭学文；

【作者基本信息】 陕西科技大学 ， 设计学， 2015， 硕士

【摘要】 纵观新世纪以前台湾电影的发展,从政治宣传片到台语片,从武侠功夫片到战争片,从台湾新电影到新新电影,台湾电影经历了从繁华到沉寂的过程。当不少人认为台湾电影“已死”之时,一部《蓝色大门》敲开了台湾电影的复活之门,《海角七号》将观众的视线再次拉回到台湾,之后的几部作品《艋胛》、《那些年,我们一起追过的女孩》、《赛德克·巴莱》、《love》也获得可观的票房,让我们看到了台湾电影复活的希望。随着台湾电影的发展以及观众审美期待的变化,新世纪的台湾电影在创作主旨与审美风格两方面上呈现出新的变化。本文以台湾电影为研究对象,并将研究时间锁定在新世纪,即2000年至2014年,试图对台湾电影从现象到内涵进行逐层解析。通过回顾台湾电影的发展历史,从多方面了解台湾的过去与现在,找寻新世纪台湾电影的创作主旨发生的变化及其原因。通过新世纪台湾电影的创作主旨的研究,更加全面地把握台湾特殊的政治、经济、历史背景对于电影的深入影响,挖掘不同创作主旨下的台湾电影隐藏的社会形态和反映出的审美风格。最终,通过对新世纪台湾电影创作主旨与审美风格的研究,探索二者之间的关系,并设想台湾电影以后的发展方向,以及新世纪台湾电影的发展对大陆电影的影响和值得借鉴之处。更多还原

【Abstract】 Through the development of Taiwan film before the new century, from the political propaganda film to the Taiwanese film, from Martial film to the war movies, from the new film to the after new film. Taiwan film had experienced from prosperous to silence. Most of people thought that Taiwan film has been dead, but a film called <Blue Gate Crossing> appeared in front of audiences. And then, <Cape No.7>, <Monga>, <Love> were all got a high box-office. The hope of Taiwan film was be seen. During the development of Taiwan film, and the change of audience’s expect, Taiwan film show a new creation idea and aesthetic style in the new century.The object of this paper is Taiwan film, the time of this paper is the new century(from 2000 to 2014), and tries to research Taiwan film from the phenomenon to the connotation. Review the development of the history, learn the past and now of Taiwan film from many aspects. Find the change of the creation idea and the aesthetic style of Taiwan film, and the reason of the change. Through the creation idea to find out the aesthetic style of Taiwan film. At last, find the relationship between creation idea and aesthetic style. Image the direction of development, search the influence of China film, and what shall we learn.更多还原