【作者】 杜娟；

【导师】 魏静；

【作者基本信息】 天津大学 ， 语言学及应用语言学， 2014， 硕士

【摘要】 王丽堂口述的《扬州评话王派水浒·石秀》演出本，是对扬州评话王派水浒演说的立体记录和描绘，它是在继承和发展古典小说艺术成果的基础上，吸取民间传说和历代曲艺艺人的创造创作而成的，是弥足珍贵的民族非物质文化遗产。在《扬州评话王派水浒·石秀》（以下简称《石秀》）中，有着形式多样，内容丰富的修辞现象，其中最为突出的便是比喻。喻体作为比喻的重要组成部分，无论从比喻的结构上还是从其成立的要件上看，喻体都不可或缺。本文将以书中的喻体为对象进行专题研究，共分为六个章节：第一章：绪论。对《石秀》中比喻喻体的研究动态、研究价值、研究内容及方法的说明。第二章：《石秀》比喻喻体的取材。《石秀》中比喻喻体的类型丰富，根据作者对喻体的取材可分为6种。本文将对每种取材举例进行详细叙述。通过对喻体取材类型的分析，总结出《石秀》喻体主要取材于熟悉的自然与社会生活，并具有化未知为已知、化抽象为具体、化深奥为浅显、化平淡为生动的作用。第三章：《石秀》比喻喻体的艺术处理特征。通过对作者喻体取材类型及其作用的分析，进而总结出《石秀》比喻喻体在艺术处理上所具有的典型性、主观性、传神性、新奇性特征。第四章：影响《石秀》比喻喻体选择的因素。作为一种口头表演艺术，《石秀》中比喻喻体的选择受到文学体裁和时空背景因素的影响。主要有语体风格、社会文化背景、地域文化、时代文化等因素。第五章：《石秀》比喻喻体的功能分析。作为比喻的重要组成部分，喻体具有重要的认知功能和审美功能。《石秀》中的比喻建构具有自由联想、无理而妙的特征。《石秀》比喻的认知过程，更注重本体和喻体之间的物质特征相似性、作者与读者之间心理特征相似性两方面；其比喻喻体的审美功能主要体现在三个方面：开辟审美的新途径、拓宽审美的新视野、增强审美的愉悦感。第六章：结语。对本论文得出的结论进行总结。更多还原

【Abstract】 The stage version of Wang’s Yangzhou Storytelling of Shi Xiu in Water Margin,narrated by Wang Litang, vividly records and describes Wang’s Yangzhou storytellingof Water Margin, which is created by combining artistic achievements inherited anddeveloped from classical fictions with folk legends and creations of Chinese folkartists. It is one of the rarest intangible cultural heritages in our nation. Rhetorics withvarious forms and rich content characterize the Wang’s Yangzhou Storytelling of ShiXiu in Water Margin (abbreviated as Shi Xiu), which is highlighted by metaphor. Asan important part of metaphor, vehicle is indispensable either in structure or information of the metaphor. This essay specializes in studying the vehicle, which isclassified as six chapters as follows:Chapter One: Introduction. Explain the research trends, research values, researchcontents and the approaches in vehicles of metaphors in Shi Xiu.Chapter Two: the materials drawn for vehicles of metaphors in Shi Xiu. Thevarious types of vehicles of metaphors can be classified into six types according tomaterials drawn for the metaphors by the author. This paper will give detailedexamples for each type. By analyzing the materials drawn for vehicles, the conclusionthat vehicles in Shi Xiu are majorly based on familiar natural and social life is made.The metaphor also functions as converting the unknown into the known, the abstractinto the specific, the profound into the simple, the insipid into the vivid.Chapter Three: artistic processing characteristics of vehicles of metaphors in ShiXiu. By analyzing materials drawn to vehicles by the author and their functions, theconclusion that typicality, subjectivity, vividness, and novelty characterize the artisticprocessing of vehicles of metaphors in Shi Xiuis made.Chapter Four: elements that affect the selection of vehicles of metaphors in ShiXiu.ShiXiu acts as a verbal performing art, of which the choice of vehicles ofmetaphors subject to literary genre and time-and space backgrounds, majorlyincluding language style, social cultural background, regional culture and era culture.Chapter Five: function analysis of vehicles of metaphors. Being an importantpart of metaphor, vehicle boasts important cognitive function and aesthetic function.The construction of metaphors in Shi Xiu is characterized by free association andhard-to-explained wonders. The cognitive process of metaphors in Shi Xiu focuses ontwo aspects: similarities of material characteristics between ontologies and vehicles,similarities of mental characteristics between the author and the readers. The aestheticfunction of vehicles of metaphors is reflected in three aspects: open new ways foraesthetic, broaden horizon for aesthetic, and enhance sense of joy for aesthetic.Chapter six: Conclusion. Make a conclusion for this paper..更多还原