【作者】 王祎；

【导师】 李军；

【作者基本信息】 吉林大学 ， 比较文学与世界文学， 2015， 硕士

【摘要】 凯伦·布里克森是丹麦现代著名女作家，《走出非洲》是凯伦以自己在肯尼亚经营农场的17年经历为蓝本创作的自传体小说。这部小说使她两次获得诺贝尔文学奖的提名，并在欧美文学界确立了自己的地位。《走出非洲》中最主要，也是唯一的主人公是“我”。这部自传体小说中的“我”具有多种形象特征。本文以文本细读为基础，结合凯伦·布里克森的生平，分析《走出非洲》中“我”的形象多义性，探究其形成这种独特写作风格的原因。论文在绪论部分介绍了凯伦·布里克森的生平与创作，就其研究现状和选题意义进行了总结。第一部分结合生态主义文学批评理论，针对《走出非洲》中“我”的生态主义者形象进行分析。第二部分联系女性主义批评理论，分析“我”所表现出的女性主义者形象特征。第三部分分析“我”的人道主义者形象底蕴。第四部分探讨“我”的殖民主义者身份基础。第五部分论述“我”各个形象特征之间错综复杂的关系，并尝试从现代文学批评方面探究造成这种多义性的原因。更多还原

【Abstract】 Karen Blixen is a famous woman writer of Demark modern literature. Out of Africa is an autobiographical novel which was based on Karen’s17years of experiences of running her own farm in Kenya. This novel made her nominated twice for the Nobel Prize for literature and established her own position in European and American literary world.“I’ is the main and the only hero in out of Africa. The “I” of the autobiographical novel has a variety of image features. This paper analyzes the ambiguity of “I” and tries to explore the reasons for Karen’s unique style of writing, on the basis of close reading and Karen Blixen’s life.The introduction in this paper describes Karen Blixen’s life and works, summarizing the research status and significance of the topic. The first part analyzes the eco activist image of “I” in out of Africa, combining with ecological literature criticism theory. The second part analyzes the image characteristics of feminists, contacting feminine literature criticism theory. The third part analyzes the image heritage of humanistic “I”. The fourth part explores the foundation of my colonist identity. The fifth part discusses the intricate relationships among these image features and tries to explore the reasons of ambiguity from the aspects of modern literature criticism theory.更多还原