【作者】 孙丽萍；

【导师】 蒋蕾；

【作者基本信息】 吉林大学 ， 新闻学， 2015， 硕士

【摘要】 本文运用文本分析法，对《纽约时报》报道从2008年1月1日到2013年12月31日这段时间内的118篇以中国女性为报道主题的报道进行了分析。以往学者认为《纽约时报》中呈现的中国女性多为无人权受压迫的悲惨女性并且认为这些女性多来自于农村，而本文的研究结果表明《纽约时报》的中国女性报道正面报道和负面报道并存，《纽约时报》中虽然塑造了很多受压迫的女性，但是这些女性大多来自城市而非农村。而这些来自城市的中国女性也不再是清一色的“受害者”的形象，她们中有在奥运会中勇夺金牌的女运动员，有事业有成的女商人、也有充满女权主义和艺术魅力的女画家。这一现象与中国经济的发展、文化的繁荣有明显关系，中国女性不再是裹足在家服侍丈夫的无声群体，而是在家庭与工作中发挥着不可替代作用的实体，也由此可以看出《纽约时报》客观公正、与时俱进的报道。但同时《纽约时报》对中国女性的报道存在特定的框架：赞扬或者贬低中国女性的同时斥责中国政治体制；对相似身份女性采用不同报道从而阐明立场；对于有海外留学经验的女性大都呈正面报道。这与其特定的意识形态、新闻价值衡量标准和对女性的刻板印象密切相关。更多还原

【Abstract】 This paper uses text analysis method to evaluate the118news about ChineseFemale in the New York Times from January1st,2008to December2013. Chinesescholars used to believe that the images of women reported by the New York Timesare miserable, namely they lost human right and they came from the countryside.However, this paper shows that the New York Times reported positive and negativeimages about Chinese female. Although many women are oppressive, most of themare from rural areas rather than urban areas. These Chinese women from the city’simage is no longer exclusively a "victim", they have won the gold medal in theOlympics female athletes, there is a successful career woman, but also full of feministand artistic charm of female painter. This phenomenon has a significant relationshipwith China’s economic development, cultural prosperity. Chinese women is no longerbound feet to serve her husband’s in silence, but they plays an irreplaceable role in thefamily and work in the entity.But at the same time, New York Times exists specific framework for Chinesewomen reported: praised or belittle women, while denounced the Chinese politicalsystem; for a similar female identity, different reporting style; positively reportingwomen who have overseas studying experience. This is related to the specific worldwealth, newsworthiness criteria and the stereotype of women.更多还原