【作者】 马丽；

【导师】 靳涛；

【作者基本信息】 河北师范大学 ， 音乐与舞蹈学， 2014， 硕士

【摘要】 中国舞剧于上世纪三十年代出现在中国的舞台上，吴晓邦的《罂粟花》开启了中国舞剧创作之门。随后，大量的舞蹈艺术家和舞剧创作者加入到舞剧创作的大军之中。时至如今，我国已经创作了几百部优秀的舞剧作品，这些舞剧内容的创作元素丰富，舞蹈形式优美，极大的丰富了我国的舞蹈艺术发展。中国舞剧在历经了几十年的艺术发展中，形成了具有时代气息，蕴含了艺术性与思想性的作品体系，通过人体肢体语言的展现，结合音乐、节奏、舞台等元素的构建，深刻的塑造了艺术形象，描述了故事情节，给人以丰富的视觉审美和听觉审美，激发观众强烈的心理体验，引发群众的认同感。作为一名舞蹈专业学习者，笔者深爱中国舞剧，无论是经典作品，还是现代创作的舞剧，都给笔者带来的深刻的艺术享受和丰富的审美体验，因而笔者选取中国当代舞剧的创作变迁一题作为毕业答卷，以期结合自己专业知识和学习经验，对中国现当代舞剧的发展提供良策。具体到本文，笔者的研究主要体现在以下几个方面：第一章节主要是对中国舞剧的萌芽与发展期进行论述。分析了从上世纪三十年代萌芽，到六十年代这一时期的中国舞剧的创作环境与主要产生的剧目内容。第二章节是以中国舞剧发展的新时期为研究脉络，解析在70年代至80年代艺术文化背景下的舞剧创作，在思想运动解放的“开放思想”下，中国的现当代舞剧创作进入到发展的新时期。第三章节是在90年代舞剧创作的基础上，结合繁荣的艺术文化发展，中国舞剧的创作更加呈现出了时代色彩，审美内涵也有了更丰富的提升。第四章节是在过去30年舞剧创作的历程中，结合繁荣的艺术文化发展形势，并对这一时期的代表性作品进行分析，在此基础上概括本阶段舞剧创作的基本特点。结尾部分，是对正文部分的全面概括。本文着重探讨了古典舞及民族民间舞实现常态化、规范化教学之后，对相应舞剧创作所产生的巨大影响。总结了现当代舞剧在艺术发展进程中的不同阶段所呈现的特点与特征，为将来的舞剧创作发展构建合理的模式，提供音乐创作技术上的保障。更多还原

【Abstract】 China ballet appeared in China on century thirty’s on the stage, Wu Xiaobang’s "Poppy"opened the door Chinese drama creation. Then, a large number of dance artists and creators ofcreative dance ballet to join the army. Up to now, China has created hundreds of excellentdance works, rich creative elements of these dance, dance beautiful form, greatly enriched theChinese dance art development.Chinese ballet after decades of art development, formed with the flavor of the times,contains the artistic and ideological work system, by the exhibition of body language,combined with the construction of music, rhythm, stage and other elements of the profoundartistic image, shape, the description of the story, give a person with rich the aesthetic visionand auditory aesthetic, inspire viewers strong psychological experience, causing the massesidentity. As a professional dance learners, the author deeply love China ballet, whetherclassical or modern dance works, creation, gave the author brings profound artistic enjoymentand rich aesthetic experience, so the author selects creative change China contemporary dancea question as a graduation answer, in order to combine their professional knowledge andlearning experience provide suggestions to the development of Chinese, contemporary dancedrama. Specific to this article, the author’s research is mainly reflected in the followingaspects:The first chapter is mainly on the germination and development period China ballet wasdiscussed. Analysis of the budding from the last century thirty’s, sixty’s repertoire to thisperiod China ballet creation environment and main produce.The second chapter is a new period of development China Ballet for the study of sold, inthe70’s and the80’s analysis of artistic and cultural background of creative dance dialysis, inthe ideological liberation movement of "open thinking", Chinese contemporary dramacreation has entered a new period of development.The third chapter is on the basis of drama creation in the90’s, with the prosperity of thearts and cultural development, Chinese ballet creation more show time color, also has richaesthetic connotation upgrade. The fourth chapter is on the history of the past30years in the drama creation, combiningthe development situation of artistic and cultural prosperity, and in this period of therepresentative works of analysis, summarizes the basic characteristics of the stage dramacreation based on the.The ending part, is a comprehensive summary of the text.Then this paper emphatically discusses the classical dance and folk dance to realizenormalization, standardization of teaching, a great impact on the corresponding dramacreation produced by. To summarize the features and characteristics of modern dance atdifferent stages in the process of development of art shows, constructing a reasonable modelfor the future development of the drama creation, provide technical support for musiccreation.更多还原