【作者】 左建新；

【导师】 谢红；

【作者基本信息】 河北师范大学 ， 音乐与舞蹈学， 2014， 硕士

【摘要】 中国钢琴音乐的创作在20世纪50年代以后，达到了一个空前繁荣的时期，在与西方音乐的不断碰撞与交流中，逐渐形成了自己独特的民族风格。而这种民族风格，主要体现在两个方面，一是在中国钢琴音乐的创作思想上，二是中国钢琴音乐的艺术特点上。在创作思想上，中国作曲家力图用钢琴这种艺术形式来表现中国人的思想情感，创作具有民族气质的作品，这些都可在题材内容、构思原则等方面得到证实。在艺术特点上，主要是反映在旋律的艺术特点、多声思维的艺术特点、曲式结构的艺术特点、钢琴技巧的艺术特点等几个方面。作曲家在创作时，在这几个方面都做了刻意的安排，增加和丰富了民族风格。从创作发展的角度上看，用具有民族特点的旋律、多声思维，曲式结构和钢琴技巧来创作具有民族风格的作品，也正符合了形式服从内容这一艺术创作原则的。更多还原

【Abstract】 Chinese piano music creation in twentieth Century after50years, reached a period ofunprecedented prosperity, in constant collision and exchange with western music, graduallyformed its own unique style of the nation. The national style, artistic characteristic mainlydisplays in Chinese piano music creation and the China piano music in two aspects.In the creative thinking, China composer tries to performance Chinese thought emotionwith piano of this art form, creation has the national temperament works, all of these can beproved in the theme content, design principle.On the artistic characteristic, is mainly reflected in the melody of the artisticcharacteristics, thinking aloud artistic characteristics, musical structure characteristics of theart of piano technique, artistic characteristic and so on several aspects. In the creation of thecomposer China works, in these aspects are intended to penetrate the national consciousness.Creation from the development point of view, with the national characteristics of the melody,multi sound thinking, musical structure and piano techniques to create national style of theworks, is also in line with the form to the content of this artistic creation principle.During this period the formation of the national style of piano music Chinese laid astrong foundation for the further development of Chinese piano art.更多还原