动画电影《千与千寻》色彩应用研究

【作者】 李飞；

【导师】 屈健；

【作者基本信息】 西北大学 ， 美术（专业学位）， 2015， 硕士

【摘要】 动画要想呈现出非同凡响的视觉效果,那么色彩的成功运用与否,就是动画影片成败的关键之所在。色彩对影片的主题烘托、场面表现、情节的渲染都起到了决定性的影响作用。它同动画的题材、角色、场景、镜头画面紧密联系在一起,色彩对动画作品达到了最直观的视觉效果。想要搞懂色彩是如何在动画之中表现,就必先对色彩的基本知识有所认知。中国动画还在发展中,虽然有一些影片获得了观众的好评,但艺术水准始终超越不了60年代和80年代的动画作品。究其原因,除了剧本创作、表现手法、画面的精细度、人物造型的设计、故事情节的安排等存在或多或少的问题外,还有就是色彩应用的欠缺。文章中主要以色彩如何在动画电影中应用为切入点进行剖析。众所周知,动画色彩的艺术表现形式与其他艺术门类色彩表现形式并不相同。动画是“动”的艺术形态,包含人物的运动、场景的运动、镜头的运动、蒙太奇的运用等等,与电影非常相似,但又非电影。而“画”又与画面有关,画面需要色彩设定,画面是观众了解影片的第一印象,很大程度都决定了动画的审美价值。那么我们可以说,运动性和时间性就成为了动画色彩的必备属性。论文先从色彩的基本概述展开,然后以宫崎骏动画《千与千寻》为例深入分析色彩在动画中的具体应用及重要性,最后通过对《千与千寻》的详细分析得出结论。我们最终想要得到的论述结果是通过对宫崎骏动画电影色彩如何成功运用的分析,将之用于我国动画制作的方方面面,以提升国产动画的制作水准和国际竞争力。更多还原

【Abstract】 Animation to show extraordinary visual effect, so the successful use of color or not, is the key to the success or failure of the animation film. The theme of the film, the color contrast scenes, plot rendering has played a crucial role.Closely linked with the animation of the role of theme, color, scene, the lens picture, color reached the most intuitive visual effects for animation works. Want to understand how colors shown in the animation, it must have basic knowledge of color cognition. Chinese animation is still in the process of development, although there are some films were well received by the audience, but always beyond the 60’s and 80’s animation works. Investigate its reason, besides the script creation, technique of expression, the fineness of the picture, character modeling design, plot arrangement has some problems, there is the color of the application. The article mainly the color in the animation application as a starting point for analysis.As everyone knows, the animation color art forms and other forms of art color and different. Animation is the "dynamic" art form, including people movement, motion of scene, the camera motion, the montage utilization and so on, very similar to the film, but also the non film. "Painting" and relevant pictures, pictures need color set, the picture is the first impression of the audience understand the film, largely determines the aesthetic value of the animation. So we can say, time and sports have become the necessary property animation color.The thesis first outlines the basic color, and then to the animation "spirited away" as an example of in-depth analysis of the color in the animation in the specific application and importance, finally through a detailed analysis of the "spirited away" to conclude. We ultimately want results is discussed through the analysis of Hayao Miyazaki animated film color how to use successfully, be used for China’s animation aspects, in order to improve the domestic animation production level and international competitiveness.更多还原