【作者】 于淼；

【导师】 史国强；

【作者基本信息】 沈阳师范大学 ， 外国语言学及应用语言学， 2015， 硕士

【摘要】 文学翻译的陌生化取向要求译者避免将文本归化为译入语读者所熟知或显而易见的形式,而是采用异化的手段将源语文本中的语言和文化差异保留下来。而这种差异性的诉求是后殖民文学与文化理论的核心思想之一,也是后殖民语境下翻译和翻译研究的重要内容。翻译领域的差异性诉求在很大程度上是通过彰显差异性的语言转换策略来实现的,因而本研究的目的不在于追溯差异性诉求的哲学和历史渊源,或界定描述差异性的各种术语或概念(如“异化”、“杂合”等),而是在讨论文学与文学翻译异质性的基础上,探索赛珍珠译《水浒传》翻译策略的差异性诉求在语言风格和文化策略上的表征,并揭示这种差异性诉求在后殖民语境下的意义。本文中,将赛珍珠译《水浒传》的陌生化表征分为三个层面进行研究,即语言层面、文化层面及文学层面。语言的层面包括原文词汇的字面对译、原文词语顺序的搭配及并列结构的陌生化翻译;文化表层的陌生化表现于詈辞、称谓、时间词汇以及典故方面;文学方面的陌生化则主要表现于原文说书体风格和人物话语形式。本文结合三个层面例证,总结赛珍珠翻译策略的主客观原因,对其翻译策略进行详尽分析并阐释赛珍珠陌生化的翻译策略对于汉外翻译以及汉语和中国文学走向世界的重要方法论意义。更多还原

【Abstract】 Defamiliarization in literary translation requires that the translator keeps the linguistic and cultural forms of source language by foreignization so that the original text will not be domesticated into familiar or obvious forms. The pursuit of difference is not only the core concept of postcolonial theory, also the important content of translation study in the postcolonial context. The difference in translation, to a large extent, is achieved by language reformation strategy which highlights the difference. Therefore, philosophy and history of difference or define terms and concept of difference(such as “heterozygosis”, “foreignization” “defamiliarization”) will not be retrospect in this study. Instead, based on heterogeneity of literary and literary translation, it will explore characterization of All Men Are Brothers’ s language style and cultural strategy Pearl S. Buck applicated and reveal the significance of difference in postcolonial context.In this thesis, it will be divided into three levels to analyse defamiliarization in Pearl S. Buck’s All Men Are Brothers, including linguistic level, cultural level and literary level. Combined with illustrative examples in these three levels, this thesis will be concluded the reason of Pearl S. Buck’s translation strategy, analyse her strategy, and interpret methodological significance of Chinese-Foreign translation.更多还原