【作者】 王昕；

【导师】 倪琪； 吕振锋；

【作者基本信息】 浙江大学 ， 风景园林（专业学位）， 2013， 硕士

【摘要】 中国古典园林是中国传统文化的精粹,而假山艺术则是其中非常重要的组成部分。太湖石假山是古典园林假山,尤其是江南古典园林假山中应用最广、水平最高、技法最成熟的杰出代表。苏州古典园林太湖石假山不乏名师大家之作,是假山艺术最高成就的代表。本论文选择了苏州太湖石假山作为研究对象,通过与传统假山工匠进行直面的交流、深入匠师们施工的现场对制作工艺和流程进行观察和访谈,并探访苏州地区有代表性的湖石假山实例,从而获取大量的原始资料。论文以这些原始资料为基础,并参考历史文献,从基础理论、构造与传统工艺技法、艺术风格和经典实例鉴赏等多个层面与角度对苏州的传统太湖石假山进行系统的整合论述。更多还原

【Abstract】 Chinese rockery building is an essential part in the classical Chinese gardens, one of the distillate in Chinese culture. Taihu rockery is the most widely used elements in the South classical gardens with high level of craftsmanship and mature construction techniques. Taihu rockery in Suzhou traditional gardens, in particular, represented consummate skills of rockery building with a great number of masterpieces. The thesis studies Suzhou Taihu rockery, based on direct observation on site, interviews with rockery craftsmen, and study of several representative cases of local rockery design. By reference to historical documents, the thesis systematically studies Suzhou Taihu rockeries in its fundamental theories, structures and traditional craftsmanship, artistic styles and appreciation of masterpieces.更多还原