【作者】 刘宁；

【导师】 李瑞；

【作者基本信息】 华南理工大学 ， 设计艺术学， 2014， 硕士

【摘要】 楚国是战国时期国土面积最大的国家，经济和文化也相对比较发达。而这个时期的漆器大部分都来自楚国地域，已考古发掘的战国墓也是以楚墓居多。换而言之，楚漆器代表了战国时期漆文化发展的一个高峰。追溯凤鸟纹饰的起源和成形，考察图案在时间和空间上形成演变的原因和意义，以及从审美学角度来探究凤鸟纹样的成形与演变，对文化的研究和传承、设计的应用和创新有着重大意义。在研究的方法上本文主要采用了以下几种研究方法：（1）文献法。文献资料是进行课题研究的基础与落脚点，本文研究过程对于涉及战国楚国历史文化发展、楚国漆器发展以及凤鸟纹样等课题的文献资料进行了梳理与总结，为整个课题的展开研究提供了重要基础。（2）比较研究的方法。对于战国时期楚国漆器中凤鸟纹的研究是截取了中国文化发展进程中的一个重要的层面进行综合分析与研究，需要对楚国漆器中的凤鸟纹进行横向和纵向的综合比对分析，以此来摸清凤鸟形象的特点与艺术特性。（3）调查研究的方法。为了实现课题研究更加的详尽、真实，需要在已有的研究成果基础上进行进一步地分析与研究。基于这样的目的，在掌握了大量的文献资料的基础上，深入湖北省博物馆等楚国漆器较为集中的地方进行实地考察，并探访楚漆器的制作大家，通过现代的制作技艺，进行反推及论证以获取更加准确的研究结果。纵观整个课题的研究过程中，楚漆器凤鸟纹饰，一方面要结合地域文化（叙述楚文化历史背景）；另一方面，凤鸟是中国古代传说中的吉祥鸟，在不同的历史时期，图像效果、意义是不同的。在先秦时期，特别是楚漆器纹饰在凤凰的形象，在形成的过程也是通过一个具体洗涤、选择和发展的过程。本文对凤鸟纹饰的起因、形成背景、得到推崇的深层次原因进行分析，系统地阐述楚国漆器的凤鸟纹饰对后来漆器纹饰的文化底蕴和内涵的传承，以及楚漆器中凤鸟纹饰在现代设计中的启示。在本文的课题研究过程中，笔者通过对于战国时期楚漆器凤鸟纹饰的发展背景、凤鸟纹饰的表现形式与艺术造型、凤鸟纹饰的文化内涵与审美精神等三个方面的重点分析发现，其中所蕴含的设计思想与审美精神依然值得后人研究。更多还原

【Abstract】 Chu is the largest country in the Warring States period, the land area, the economy andculture is relatively developed. While the period of lacquer mostly came from the Chu region,archaeological excavation of the tomb of the Warring States period has also to the tomb are. Inother words, the Chu lacquer ware represented a peak lacquer culture development of theWarring States period. To trace back the origin and forming of the phoenix patterns, patternformation and evolution in time and space, and the forming and evolution of phoenix patternsfrom the aesthetic perspective, it is of great significance to the study and inheritance of culture,design innovation and its application.(1) Literature. Literature is the basis and purpose of topic research, this paper analyzesthe process and summary for the Warring States Chu, historical and cultural development ofChu lacquer development as well as the phoenix design topics such as literature, provides animportant foundation for the research of the whole subject.(2) The method of comparative study. For the study of the Warring States periodPhoenix Chu lacquer in grain is an important aspect of the interception process China culturein the development of a comprehensive analysis and study, the need for analysis andcomprehensive comparison of horizontal and vertical to the Chu lacquer ware in Phoenixgrain, features and artistic characteristics in order to find out the Phoenix image.(3) The method of investigation and study. In order to achieve the research moredetailed, real, the need for further analysis and Research on the basis of existing researchresults. Based on this purpose, based on mastering a large number of literature, in-depthHubei Provincial Museum and other Chu lacquer of on-site inspection, production and visitedthe Chu lacquer ware everyone by making skills, modern, anti and argument to obtain moreaccurate research results.Research throughout the entire process of subject, the Chu lacquer ware Phoenixdecorations, hand should be combined with regional culture (the Chu culture and historicalbackground); on the other hand, Phoenix is the legend of ancient Chinese an auspicious bird,in the different historical period, the image effect, meaning is different. In the pre Qin period,especially the Chu lacquer ornamentation in the image of the Phoenix, in the formationprocess is through a specific washing, selection and development process. In this paper, thecauses of phoenix patterns formation background, have deep-seated reasons respectedanalysis, systematically elaborates the Chu lacquer Phoenix decorations for later lacquer ornamentation of the cultural background and connotation of the inheritance, and theenlightenment in Phoenix Chulacquer decoration in modern design.In the research process, the author focuses on three aspects for the development of theWarring States period, the Chu lacquer ware phoenix decoration background, phoenix patternsforms and artistic style, phoenix patterns of the cultural connotation and aesthetic spirit of theanalysis, the design idea and aesthetic spirit of the people are still worth learning and research.更多还原